William Butler Yeats
A Selection from the Love Poetry of William Butler Yeats
- p.1
- A pity beyond all telling
Is hid in the heart of love:
The folk who are buying and selling;
The clouds on their journey above;
The cold wet winds ever blowing;
And the shadowy hazel grove
Where mouse-grey waters are flowing
Threaten the head that I love. - Rose of all Roses, Rose of all the world!
The tall thought-woven sails, that flap unfurled
Above the tide of hours, throuble the air,
And God's bell buoyed to be the water's care
While hushed from fear, or loud with hope, a band
With blown, spray-dabbled hair gather at hand.
Turn if you may from battles never done,
I call, as they go by me one by one,
Danger no refuge holds, and war no peace,
For him who hears love sing and never cease,
Beside her clean-swept hearth, her quiet shade:
But gather all for whom no love hath made
A woven silence, or but came to cast
A song into the air, and singing past
To smile on the pale dawn; and gather you p.2
Who have sought more than is in rain or dew
Or in the sun and moon, or on the earth,
Or sighs amid the wandering, starry mirth,
Or comes in laughter from the sea's sad lips;
And wage God's battles in the long gray ships.
The sad, the lonely, the insatiable,
To these Old Night shall all her mystery tell;
God's bell has claimed them by the little cry
Of their hearts, that may not live nor die.
Rose of all Roses, Rose of all the World!
You, too, have come where the dim tides are hurled
Upon the wharves of sorrow, and heard ring
The bell that calls us on; the sweet far thing.
Beauty grown sad with its eternity
Made you of us, and of the dim gray sea.
Our long ships loose thought-woven sails and wait,
For God has bid them share an equal fate;
And when at last defeated in His wars,
They have gone down under the same white stars,
We shall no longer hear the little cry
Of our sad hearts, that may not live nor die. - When you are old and gray and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once and of their shadows deep; p.3 - How many loved your moments of glad grace,
And loved your beauty with love false or true;
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face. - And bending down beside the glowing bars
Murmus, a little sadly, how love fled
And paced upon the mountains overhead
And hid his face amid a crowd of stars. - Who dreamed that beauty passes like a dream?
For these red lips, with all their mournful pride,
Mournful that no new wonder may betide,
Troy passed away in one high funeral gleam,
And Usna's children died. - We and the labouring world are passing by:
Amid men's souls, that waver and give place
Like the pale waters in their wintry race,
Under the passing stars, foam of the sky,
Lives on this lonely face. - Bow down, archangels, in your dim abode:
Before you were, or any hearts to beat,
Weary and kind one lingered by His seat;
He made the world to be a grassy road
Before her wandering feet. - All things uncomely and broken, all things worn and old,
The cry of a child by the roadway, the creak of a lumbering cart,
The heavy steps of the ploughman, splashing the wintry mould,
Are wronging your image that blossoms a rose in the deeps of my heart. - The wrong of unshapely things is a wrong too great to be told;
I hunger to build them anew and sit on a green knoll apart,
With the earth and the sky and the water, remade, like a casket of gold
For my dreams of your image that blossoms a rose in the deeps of my heart. - Pale brows, still hands and dim hair,
I had a beautiful friend
And dreamed that the old despair
Would end in love in the end:
She looked in my heart one day
And saw your image was there;
She has gone weeping away. - Do you not hear me calling, white deer with no horns!
I have been changed to a hound with one red ear;
I have been in the Path of Stones and the Wood of Thorns,
For somebody hid hatred and hope and desire and fear
Under my feet that they follow you night and day.
A man with a hazel wand came without sound;
He changed me suddenly; I was looking another way;
And now my calling is but the calling of a hound;
And Time and Birth and Change are hurrying by.
I would that the Boar without bristles had come from the West
And had rooted the sun and moon and stars out of the sky
And lay in the darkness, grunting, and turning to his rest. - I dreamed that I stood in a valley, and amid sighs,
For happy lovers passed two by two where I stood;
And I dreamed my lost love came stealthily out of the wood
With her cloud-pale eyelids falling on dream-dimmed eyes:
I cried in my dream, O women, bid the young men lay
Their heads on your knees, and drown their eyes with your hair,
Or remembering hers they will find no other face fair
Till all the valleys of the world have been withered away. - When my arms wrap you round I press
My heart upon the loveliness
That has long faded from the world;
The jewelled crowns that kings have hurled
In shadowy pools, when armies fled;
The love-tales wrought with silken thread
By dreaming ladies upon cloth
That has made fat the murderous moth;
The roses that of old time were
Woven by ladies in their hair.
The dew-cold lilies ladies bore
Through many a sacred corridor
Where such gray clouds of incense rose
That only the gods' eyes did not close:
For that pale breast and lingering hand
Come from a more dream-heavy land,
A more dream-heavy hour than this;
And when you sigh from kiss to kiss
I hear white Beauty sighing, too,
For hours when all must fade like dew,
All but the flames, and deep on deep.
Throne over throne where in half sleep.
Their swords upon their iron knees,
Brood her high lonely mysteries. - I hear the Shadowy Horses, their long manes a-shake,
Their hoofs heavy with tumult, their eyes glimmering white;
The North unfolds above them clinging, creeping night,
The East her hidden joy before the morning break,
The West weeps in pale dew and sighs passing away,
The South is pouring down roses of crimson fire:
O vanity of Sleep, Hope, Dream, endless Desire,
The Horses of Disaster plunge in the heavy clay:
Beloved, let your eyes half close, and your heart beat
Over my heart, and your hair fall over my breast,
Drowning love's lonely hour in deep twilight of rest,
And hiding their tossing manes and their tumultuous feet. - Fasten your hair with a golden pin,
And bind up every wandering tress;
I bade my heart build these poor rhymes:
It worked at them, day out, day in,
Building a sorrowful loveliness
Out of the battles of old times. - You need but lift a pearl-pale hand,
And bind up your long hair and sigh;
And all men's hearts must burn and beat;
And candle-like foam on the dim sand,
And stars climbing the dew-dropping sky,
Live but to light your passing feet. - O cloud-pale eyelids, dream-dimmed eyes,
The poets labouring all their days
To build a perfect beauty in rhyme
Are overthrown by a woman's gaze
And by the unlabouring brood of the skies:
And therefore my heart will bow, when dew
Is dropping sleep, until God burn time,
Before the unlabouring stars and you. - O, curlew, cry no more in the air,
Or only to the waters in the West;
Because your crying brings to my mind
Passion-dimmed eyes and long heavy hair
That was shaken out over my breast:
There is enough evil in the crying of wind. - When the flaming lute-thronged angelic door is wide;
When an immortal passion breathes in mortal clay;
Our hearts endure the scourge, the plaited thorns, the way
Crowded with bitter faces, the wounds in palm and side,
The hyssop-heavy sponge, the flowers by Kidron stream.
We will bend down and loosen our hair over you,
That it may drop faint perfume, and be heavy with dew,
Lilies of death-pale hope, roses of passionate dream. - If this importunate heart trouble your peace
With words lighter than air,
Or hopes that in mere hoping flicker and cease;
Crumple the rose in your hair;
And cover your lips with odorous twilight and say,
'0 hearts of wind-blown flame!
O Winds, elder than changing of night and day,
That murmuring and longing came
From marble cities loud with tabors of old
In dove-gray faery lands;
From battle banners, fold upon purple fold,
Queens wrought with glimmering hands;
That saw young Niamh hover with love-lorn face
Above the wandering tide;
And lingered in the hidden desolate place
Where the last Phoenix died,
And wrapped the flames above his holy head;
And still murmur and long:
O Piteous Hearts, changing till change be dead
In a tumultuous song:'
And cover the pale blossoms of your breast
With your dim heavy hair.
And trouble with a sigh for all things longing for rest
The odorous twilight there. - Though you are in your shining days,
Voices among the crowd
And new friends busy with your praise,
Be not unkind or proud,
But think about old friends the most:
Time's bitter flood will rise,
Your beauty perish and be lost
For all eyes but these eyes. - Were you but lying cold and dead,
And lights were paling out of the West,
You would come hither, and bend your head,
And I would lay my head on your breast;
And you would murmur tender words,
Forgiving me, because you were dead:
Nor would you rise and hasten away,
Though you have the will of the wild birds,
But know your hair was bound and wound
Above the stars and moon and sun:
O would, beloved, that you lay
Under the dock-leaves in the ground,
While lights were paling one by one. - I bring you with reverent hands
The books of my numberless dreams;
White woman that passion has worn
As the tide wears the dove-gray sands,
And with heart more old than the horn
That is brimmed from the pale fire of time:
White woman with numberless dreams
I bring you my passionate rhyme. - Had I the heavens' embroidered cloths,
Enwrought with golden and silver light,
The blue and the dim and the dark cloths
Of night and light and the half light,
I would spread the cloths under your feet:
But I, being poor, have only my dreams;
I have spread my dreams under your feet;
Tread softly because you tread on my dreams. - We sat together at one summer's end,
That beautiful mild woman, your close friend,
And you and I, and talked of poetry. - I said: 'A line will take us hours maybe;
Yet if it does not seem a moment's thought,
Our stitching and unstitching has been naught.
Better go down upon your marrow-bones
And scrub a kitchen pavement, or break stones
Like an old pauper, in all kinds of weather;
For to articulate sweet sounds together
Is to work harder than all these, and yet
Be thought an idler by the noisy set
Of bankers, schoolmasters, and clergymen
The martyrs call the world.' - That woman then
Murmured with her young voice, for whose mild sake
There's many a one shall find out all heartache
In finding that it's young and mild and low:
'There is one thing that all we women know,
Although we never heard of it at school—
That we must labour to be beautiful.' p.13 - I said: 'It's certain there is no fine thing
Since Adam's fall but needs much labouring.
There have been lovers who thought love should be
So much compounded of high courtesy
That they would sigh and quote with learned looks
Precedents out of beautiful old books;
Yet now it seems an idle trade enough.' - We sat grown quiet at the name of love;
We saw the last embers of daylight die,
And in the trembling blue-green of the sky
A moon, worn as if it had been a shell
Washed by time's waters as they rose and fell
About the stars and broke in days and years. - I had a thought for no one's but your ears;
That you were beautiful, and that I strove
To love you in the old high way of love;
That it had all seemed happy, and yet we'd grown
As weary-hearted as that hollow moon. - One that is ever kind said yesterday:
'Your well-beloved's hair has threads of grey,
And little shadows come about her eyes;
Time can but make it easier to be wise,
Though now it's hard, till trouble is at an end; p.14
And so be patient, be wise and patient, friend.'
But, heart, there is no comfort, not a grain;
Time can but make her beauty over again.
Because of that great nobleness of hers
The fire that stirs about her when she stirs
Burns but more clearly. O she had not these ways,
When all the wild summer was in her gaze.
O heart ! O heart ! if she'd but turn her head,
You'd know the folly of being comforted. - Thought fly to her when the end of day
Awakens an old memory, and say,
'Your strength, that is so lofty and fierce and kind,
It might call up a new age, calling to mind
The queens that were imagined long ago,
Is but half yours: he kneaded in the dough
Through the long years of youth, and who would have thought
It all, and more than it all, would come to naught,
And that dear words meant nothing?' But enough,
For when we have blamed the wind we can blame love;
Or, if there needs be more, be nothing said
That would be harsh for children that have strayed. - I have no happiness in dreaming of Brycelinde,
Nor Avalon the grass-green hollow, nor Joyous Isle, p.15
Where one found Lancelot crazed and hid him for a while;
Nor Ulad, when Naoise had thrown a sail upon the wind,
Nor lands that seem too dim to be burdens on the heart;
Land-under-Wave, where out of the moon's light and the sun's
Seven old sisters wind the threads of the long-lived ones;
Land-of-the-Tower, where Aengus has thrown the gates apart,
And Wood-of-Wonders, where one kills an ox at dawn,
To find it when night falls laid on a golden bier:
Therein are many queens like Branwen and Guinivere;
And Niamh and Laban and Fand, who could change to an otter or fawn,
And the wood-woman, whose lover was changed to a blue-eyed hawk;
And whether I go in my dreams by woodland, or dun, or shore,
Or on the unpeopled waves with kings to pull at the oar,
I hear the harp-string praise them, or hear their mournful talk.
Because of a story I heard under the thin horn
Of the third moon, that hung between the night and the day,
To dream of women whose beauty was folded in dismay.
Even in an old story, is a burden not to be borne. - Argument. 1 Baile and Aillinn were lovers, but Aengus, the Master of Love, wishing them to be happy in his own land among the dead, told to each a story of the other's death, so that their hearts were broken and they died. p.16
- I hardly hear the curlew cry,
Nor the grey rush when wind is high,
Before my thoughts begin to run
On the heir of Ulad, Buan's son,
Baile who had the honey mouth,
And that mild woman of the south,
Aillinn, who was King Lugaid's heir.
Their love was never drowned in care
Of this or that thing, nor grew cold
Because their bodies had grown old;
Being forbid to marry on earth
They blossomed to immortal mirth. - About the time when Christ was born,
When the long wars for the White Horn
And the Brown Bull had not yet come,
Young Baile Honey-Mouth, whom some
Called rather Baile Little-Land,
Rode out of Emain with a band
Of harpers and young men, and they
Imagined, as they struck the way
To many pastured Muirthemne,
That all things fell out happily
And there, for all that fools had said,
Baile and Aillinn would be wed. - They found an old man running there,
He had ragged long grass-yellow hair; p.17
He had knees that stuck out of his hose;
He had puddle water in his shoes;
He had half a cloak to keep him dry;
Although he had a squirrel's eye.
O wandering birds and rushy beds,
You put such folly in our heads
With all this crying in the wind
No common love is to our mind,
And our poor Kate or Nan is less
Than any whose unhappiness
Awoke the harp strings long ago.
Yet they that know all things but know
That all life had to give us is
A child's laughter, a woman s kiss.
Who was it put so great a scorn
In the grey reeds that night and morn
Are trodden and broken by the herds,
And in the light bodies of birds
That north wind tumbles to and fro
And pinches among hail and snow? - That runner said 'I am from the south;
I run to Baile Honey-Mouth
To tell him how the girl Aillinn
Rode from the country of her kin
And old and young men rode with her:
For all that country had been astir p.18
If anybody half as fair
Had chosen a husband anywhere
But where it could see her every day.
When they had ridden a little way
An old man caught the horse's head
With 'You must home again and wed
With somebody in your own land.'
A young man cried and kissed her hand
'O lady, wed with one of us;'
And when no face grew piteous
For any gentle thing she spake
She fell and died of the heart-break.' - Because a lover's heart's worn out
Being tumbled and blown about
By its own blind imagining,
And will believe that anything
That is bad enough to be true, is true,
Baile's heart was broken in two;
And he being laid upon green boughs
Was carried to the goodly house
Where the hound of Ulad sat before
The brazen pillars of his door;
His face bowed low to weep the end
Of the harper's daughter and her friend;
For although years had passed away
He always wept them on that day, p.19
For on that day they had been betrayed;
And now that Honey-Mouth is laid
Under a cairn of sleepy stone
Before his eyes, he has tears for none,
Although he is carrying stone, but two
For whom the cairn's but heaped anew. - We hold because our memory is
So full of that thing and of this
That out of sight is out of mind.
But the grey rush under the wind
And the grey bird with crooked bill
Have such long memories that they still
Remember Deirdre and her man,
And when we walk with Kate or Nan
About the windy water side
Our heart can hear the voices chide.
How could we be so soon content
Who know the way that Naoise went?
And they have news of Deirdre's eyes
Who being lovely was so wise,
Ah wise, my heart knows well how wise. - Now had that old gaunt crafty one,
Gathering his cloak about him, run
Where Aillinn rode with waiting maids
Who amid leafy lights and shades p.20
Dreamed of the hands that would unlace
Their bodices in some dim place
When they had come to the marriage bed;
And harpers pondering with bowed head
A music that had thought enough
Of the ebb of all things to make love
Grow gentle without sorrowings;
And leather-coated men with slings
Who peered about on every side;
And amid leafy light he cried,
'He is well out of wind and wave,
They have heaped the stones above his grave
In Muirthemne and over it
In changeless Ogham letters writ
Baile that was of Rury's seed.
But the gods long ago decreed
No waiting maid should ever spread
Baile and Aillinn's marriage bed,
For they should clip and clip again
Where wild bees hive on the Great Plain.
Therefore it is but little news
That put this hurry in my shoes.' - And hurrying to the south he came
To that high hill the herdsmen name
The Hill Seat of Leighin, because
Some god or king had made the laws p.21
That held the land together there,
In old times among the clouds of the air. - That old man climbed; the day grew dim;
Two swans came flying up to him
Linked by a gold chain each to each
And with low murmuring laughing speech
Alighted on the windy grass.
They knew him: his changed body was
Tall, proud and ruddy, and light wings
Were hovering over the harp strings
That Etain, Midhir's wife, had wove
In the hid place, being crazed by love. - What shall I call them? fish that swim
Scale rubbing scale where light is dim
By a broad water-lily leaf;
Or mice in the one wheaten sheaf
Forgotten at the threshing place;
Or birds lost in the one clear space
Of morning light in a dim sky;
Or it may be, the eyelids of one eye
Or the door pillars of one house,
Or two sweet blossoming apple boughs
That have one shadow on the ground;
Or the two strings that made one sound
Where that wise harper's finger ran; p.22
For this young girl and this young man
Have happiness without an end
Because they have made so good a friend.
They know all wonders, for they pass
The towery gates of Gorias
And Findrias and Falias
And long-forgotten Murias,
Among the giant kings whose hoard
Cauldron and spear and stone and sword
Was robbed before Earth gave the wheat;
Wandering from broken street to street
They come where some huge watcher is
And tremble with their love and kiss, - They know undying things, for they
Wander where earth withers away,
Though nothing troubles the great streams
But light from the pale stars, and gleams
From the holy orchards, where there is none
But fruit that is of precious stone,
Or apples of the sun and moon. - What were our praise to them: they eat
Quiet's wild heart, like daily meat,
Who when night thickens are afloat
On dappled skins in a glass boat
Far out under a windless sky, p.23
While over them birds of Aengus fly,
And over the tiller and the prow
And waving white wings to and fro
Awaken wanderings of light air
To stir their coverlet and their hair. - And poets found, old writers say,
A yew tree where his body lay,
But a wild apple hid the grass
With its sweet blossom where hers was;
And being in good heart, because
A better time had come again
After the deaths of many men,
And that long fighting at the ford,
They wrote on tablets of thin board.
Made of the apple and the yew,
All the love stories that they knew. - Let rush and bird cry out their fill
Of the harper's daughter if they will,
Beloved, l am not afraid of her
She is not wiser nor lovelier,
And you are more high of heart than she
For all her wanderings over-sea;
But I'd have bird and rush forget
Those other two, for never yet
Has lover lived but longed to wive
Like them that are no more alive. - 'Put off that mask of burning gold
With emerald eyes.'
'O no, my dear, you make so bold
To find if hearts be wild and wise,
And yet not cold.' - 'I would but find what's there to find,
Love or deceit.'
'It was the mask engaged your mind,
And after set your heart to beat,
Not what's behind.' - 'But lest you are my enemy,
I must enquire.'
'O no, my dear, let all that be,
What matter, so there is but fire
In you, in me?' - I swayed upon the gaudy stern
The butt end of a steering oar,
And everywhere that I could turn
Men ran upon the shore. p.25 - And though I would have hushed the crowd
There was no mother's son but said,
'What is the figure in a shroud
Upon a gaudy bed?' - And fishes bubbling to the brim
Cried out upon that thing beneath,
It had such dignity of limb,
By the sweet name of Death. - Though I'd my finger on my lip,
What could I but take up the song?
And fish and crowd and gaudy ship
Cried out the whole night long, - Crying amid the glittering sea,
Naming it with ecstatic breath,
Because it had such dignity
By the sweet name of Death. - If any man drew near
When I was young,
I thought, 'He holds her dear,'
And shook with hate and fear.
But oh, 't was bitter wrong
If he could pass her by
With an indifferent eye. p.26 - Whereon I wrote and wrought,
And now, being gray,
I dream that I have brought
To such a pitch my thought
That coming time can say,
'He shadowed in a glass
What thing her body was.' - For she had fiery blood
When I was young,
And trod so sweetly proud
As 't were upon a cloud,
A woman Homer sung,
That life and letters seem
But an heroic dream. - Ah, but Time has touched a form
That could show what Homer's age
Bred to be a hero's wage.
'Were not all her life but storm,
Would not painters paint a form
Of such noble lines' I said.
'Such a delicate high head,
So much sternness and such charm,
Till they had changed us to like strength?'
Ah, but peace that comes at length,
Came when Time had touched her form. - I had this thought awhile ago,
'My darling cannot understand
What I have done, or what would do
In this blind bitter land.' - And I grew weary of the sun
Until my thoughts cleared up again,
Remembering that the best I have done
Was done to make it plain; - That every year I have cried, 'At length
My darling understands it all,
Because I have come into my strength,
And words obey my call.' - That had she done so who can say
What would have shaken from the sieve?
I might have thrown poor words away
And been content to live. - Why should I blame her that she filled my days
With misery, or that she would of late
Have taught to ignorant men most violent ways,
Or hurled the little streets upon the great, p.28
Had they but courage equal to desire?
What could have made her peaceful with a mind
That nobleness made simple as a fire,
With beauty like a tightened bow, a kind
That is not natural in an age like this,
Being high and solitary and most stern?
Why, what could she have done being what she is?
Was there another Troy for her to burn? - Some may have blamed you that you took away
The verses that could move them on the day
When, the ears being deafened, the sight of the eyes blind
With lightning you went from me, and I could find
Nothing to make a song about but kings,
Helmets, and swords, and half-forgotten things
That were like memories of you—but now
We'll out, for the world lives as long ago;
And while we're in our laughing, weeping fit,
Hurl helmets, crowns, and swords into the pit.
But, dear, cling close to me; since you were gone,
My barren thoughts have chilled me to the bone. - 'Would it were anything but merely voice !'
The No King cried who after that was King,
Because he had not heard of anything
That balanced with a word is more than noise; p.29
Yet Old Romance being kind, let him prevail
Somewhere or somehow that I have forgot,
Though he'd but cannon—Whereas we that had thought
To have lit upon as clean and sweet a tale
Have been defeated by that pledge you gave
In momentary anger long ago;
And I that have not your faith, how shall I know
That in the blinding light beyond the grave
We'll find so good a thing as that we have lost?
The hourly kindness, the day's common speech,
The habitual content of each with each
When neither soul nor body has been crossed. - O heart, be at peace, because
Nor knave nor dolt can break
What 's not for their applause,
Being for a woman's sake.
Enough if the work has seemed,
So did she your strength renew,
A dream that a lion had dreamed
Till the wilderness cried aloud,
A secret between you two,
Between the proud and the proud. - What, still you would have their praise!
But here's a haughtier text, p.30
The labyrinth of her days
That her own strangeness perplexed;
And how what her dreaming gave
Earned slander, ingratitude,
From self-same dolt and knave;
Aye, and worse wrong than these.
Yet she, singing upon her road,
Half lion, half child, is at peace.
1. Early Poems 1890–1892
1. The Pity of Love
2. The Rose of Battle
3. When you are old
4. The Rose of the world
2. The Wind among the Reeds 1892–1897
5. The Lover tells of the Rose in his Heart
6. The Lover mourns for the loss of Love
7. He mourns for the change that has come upon him and his beloved and longs for the end of the world
8. He tells of a valley full of lovers
9. He remembers forgotten Beauty
10. He bids his beloved be at peace
11. He gives his beloved certain rhymes
12. He tells of the perfect Beauty
13. He reproves the curlew
14. The travail of passion
15. The lover asks forgiveness because of his many moods
16. The lover pleads with his friend for old friends
17. He wishes his beloved were dead
18. A poet to his beloved
19. He wishes for the cloths of heaven
3. In the Seven Woods 1897–1904
20. Adam's curse
21. The folly of being comforted
22. Old Memory
23. Under the moon
24. Baile and Aillinn
4. The Green Helmet 1904–1911
25. The mask
26. His dream
27. A woman Homer sung
28. Peace
29. The consolation
30. No second Troy
31. Reconciliation
32. King and No King
33. Against unworthy praise
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Title (uniform): A Selection from the Love Poetry of William Butler Yeats
Author: William Butler Yeats
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Electronic edition compiled by: Beatrix Färber and Sara Sponholz
Proof corrections by: Beatrix Färber and Sara Sponholz
Funded by: School of History, University College, Cork
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Publication statement
Publisher: CELT: Corpus of Electronic Texts: a project of University College, Cork
Address: College Road, Cork, Ireland—http://www.ucc.ie/celt
Date: 2011
Date: 2014
Distributor: CELT online at University College, Cork, Ireland.
CELT document ID: E900041-001
Availability: The works by W. B. Yeats are in the public domain. This electronic text is available with prior consent of the CELT programme for purposes of private or academic research and teaching.
Source description
Literature (a small selection)
- For text of Irish poem of Baile and Ailinn, see O'Curry, Lectures on the MS materials of Ancient Irish History (Dublin 1878), 464–475 (poemn in Book of Leinster).
- W. B. Yeats, The Autobiography of William Butler Yeats, consisting of Reveries over childhood and youth, The trembling of the veil, and Dramatis personae (New York 1938).
- Richard Ellmann, Yeats: The Man and the Masks. Corrected edition with a new preface (Oxford 1979). [First published New York 1948; reprinted London 1961.]
- Peter Allt and Russell K. Alspach, The variorum Edition of the Poems of W.B. Yeats (New York: Macmillan 1957).
- W. B. Yeats, Essays and Introductions (New York: Macmillan 1961).
- W. B. Yeats, Explorations: selected by Mrs W. B.Yeats (London/New York: Macmillan 1962).
- Richard Ellmann, The Identity of Yeats (New York 1964).
- Norman Jeffares, A New Commentary on the Poems of W.B. Yeats (Stanford 1984).
- Helen Vendler, Our Secret Discipline: Yeats and Lyric Form (Oxford/New York 2007).
- A general bibliography is available online at the official web site of the Nobel Prize. See: http://nobelprize.org/nobel_prizes/literature/laureates/1923/yeats-bibl.html
The edition used in the digital edition
Yeats, William Butler (1913). A Selection from the Love Poetry of William Butler Yeats. 1st ed. Churchtown, Dundrum: The Cuala Press, 30 pp.
You can add this reference to your bibliographic database by copying or downloading the following:
@book{E900041-001, title = {A Selection from the Love Poetry of William Butler Yeats}, author = {William Butler Yeats}, edition = {1}, pages = {30 pp.}, address = {Churchtown, Dundrum}, date = {1913}, publisher = {The Cuala Press} }
Encoding description
Project description: CELT: Corpus of Electronic Texts
Sampling declarations
The whole selection.
Editorial declarations
Correction: Text has been proof-read twice.
Normalization: The electronic text represents the edited text. Lines (or parts of them) reproduced in italics in the printed edition are tagged rend="ital".
Hyphenation: The editorial practice of the hard-copy editor has been retained.
Segmentation: div0 =the poem miscellany; div1= the individual poem, stanzas are marked lg.
Interpretation: Names of persons (given names), and places are not tagged. Terms for cultural and social roles are not tagged.
Reference declaration
A canonical reference to a location in this text should be made using “poem”, eg poem 1.
Profile description
Creation: By William Butler Yeats (1865-1939). 1890–1911
Language usage
- The poems are in English. (en)
Keywords: literary; poetry; W. B. Yeats; 19c; 20c
Revision description
(Most recent first)
- 2014-02-27: Footnote added to 'Baile and Ailinn', items added to bibliographical details; file re-parsed; new SGML and HTML files created. (ed. Beatrix Färber)
- 2011-08-10: File proofed (2), additions to encoding made; header completed; file re-parsed; SGML and HTML files created. (ed. Beatrix Färber)
- 2011-08-05: File parsed. (ed. Sara Sponholz)
- 2011-08-05: File proofed (1); structural mark-up inserted. (ed. Sara Sponholz)
- 2011-08-02: Header created. (ed. Beatrix Färber)
- 2011-03-15: Text captured by scanning. (ed. Beatrix Färber)
Note
Here ends A Selection from the Love Poetry of William Butler Yeats 1890–1911. Printed and published by Elizabeth C. Yeats at The Cuala Press, Churchtown, Dundrum, in the County of Dublin, Ireland. Finished in the last week of May, in the year nineteen hundred and thirteen.