Biography
Bernadette Cronin lectures in Drama & Theatre Studies at the School of Music and Theatre, University College Cork where she served as head of department from 2014 - 2015. She has a BA, an MA (adaptation - novel to film script) and the Higher Diploma in Education from UCC, a PhD (contemporary German language post-dramatic theatre) from the University of Exeter, a Diploma in Acting from the London Academy of Music and Dramatic Art, and a Diploma in Translation (English/German) from City University London. She is a designated Linklater Voice Teacher for actors and a qualified yoga instructor (traditional Ashtanga). Her practice-as-research and teaching interests include the theory and practice of adaptation, collaborative process, Voice, and the theatre of Bertolt Brecht. She is a founder member of Gaitkrash Theatre Company. Recent performance collaborations include Playing the Maids (Wales/Korea/Ireland/Singapore), a multi-disciplinary performance piece inspired by Jean Genet’s classic The Maids,which toured in Wales in 2015, and On an Island (Heir Island, West Cork, July 2017), a multi-media performance piece responding to Heir Island.
Research Interests
My research and teaching interests include the theory and practice of adaptation, actor training, contemporary German-language experimental theatre, the theatre of Bertolt Brecht, and performance practice-as-research. The latter research is conducted in the context of my performance work with Gaitkrash Theatre Company, of which I am a founder member. My most recent international collaboration – Wales/Korea/Ireland/Singapore – went on tour in Wales in 2015. Playing the Maids is a multi-disciplinary performance piece inspired by Jean Genet’s classic The Maids.
Publications
Book Chapters
| Year | Publication | |
|---|---|---|
| (2015) | 'Somaticatica: Embodied Adventures in and out of the Irish Countryside' Bernadette Cronin, Jools Gilson & Roisin O'Gorman (2015) 'Somaticatica: Embodied Adventures in and out of the Irish Countryside' In: Alexander, K, Garrett Brown, N. & Whatley, S (eds). Attending to Movement: Somatic Perspectives on Living in this World. Axminster, UK: Triarchy Press. [Details] | |
| (2005) | 'Benjamin and Beckett: Porosity, Pain, Jetztzeit and Play, A Performer's Perspective' Bernadette Cronin (2005) 'Benjamin and Beckett: Porosity, Pain, Jetztzeit and Play, A Performer's Perspective' In: Sprache - Text - Bildung, Essays in Honour of Beate Dreike. Frankfurt: Peter Lang. [Details] | |
| (2006) | ''dreadfully un-...': The Female Subject in the Late Plays of Samuel Beckett and in Ingeborg Bachmann's Novel Malina' Bernadette Cronin (2006) ''dreadfully un-...': The Female Subject in the Late Plays of Samuel Beckett and in Ingeborg Bachmann's Novel Malina' In: Bernadette Cronin, Caitriona Leahy (eds). Re-Acting to Ingeborg Bachmann - New Essays and Performances. Wuerzburg: Koenigshausen & Neumann. [Details] |
Edited Books
| Year | Publication | |
|---|---|---|
| (2017) | Adaptation as a Collaborative Art, Process and Practice Bernadette Cronin, Rachel MagShamhráin, Nikolai Preuschoff (Ed.). (2017) Adaptation as a Collaborative Art, Process and Practice Springer International Publish AG, Switzerland: Palgrave Macmillan. [Details] | |
| (2005) | Training Manual for Theatre Work in Social Fields Cronin, Bernadette, Roth Sieglinde, and Wrentschur Michael (Ed.). (2005) Training Manual for Theatre Work in Social Fields Training Manual for Theatre Work in Social Fields. Frankfurt am Main: Brandes & Apsel. [Details] | |
| (2006) | Re-Acting to Ingeborg Bachmann - New Essays and Performances (With CD and DVD) Cronin, Bernadette and Leahy, Caitriona (Ed.). (2006) Re-Acting to Ingeborg Bachmann - New Essays and Performances (With CD and DVD) Re-Acting to Ingeborg Bachmann - New Essays and Performances (With CD and DVD). Wuerzburg: Königshausen & Neumann. [Details] |
Peer Reviewed Journals
| Year | Publication | |
|---|---|---|
| (2012) | 'POLA: Adaptation as Process and Product' Bernadette Cronin (2012) 'POLA: Adaptation as Process and Product'. Germanistik In Ireland, 7 :149-163 [Details] | |
| (2008) | 'Post-Memory and the Holocaust: `Auf der Suche nach Jakob/Searching for Jacob/Szukajac Jakuba' - A Project against Forgetting' Bernadette Cronin (2008) 'Post-Memory and the Holocaust: `Auf der Suche nach Jakob/Searching for Jacob/Szukajac Jakuba' - A Project against Forgetting'. Contemporary Theatre Review, 18 (2):208-218 [DOI] [Details] | |
| (2008) | 'The Cabinet of Curiosities: Objects as Compositions' Bernadette Cronin (2008) 'The Cabinet of Curiosities: Objects as Compositions'. Platform Electronic Journal, Objects of Engagement, 3 (2) [Details] | |
| (2007) | 'Taking it to the Streets - Corcadorca's Woyzeck' Bernadette Cronin (2007) 'Taking it to the Streets - Corcadorca's Woyzeck'. Irish Theatre Magazine, 7 (32) [Details] |
Published Reports
| Year | Publication | |
|---|---|---|
| (2016) | Yoga and Actor training, by Dorinda Hulton and Maria Kapsali, DVD. Bernadette Cronin (2016) Yoga and Actor training, by Dorinda Hulton and Maria Kapsali, DVD. Routledge Taylor & Francis, London. [Details] | |
| (2015) | Eine wichtige Studie über den 'Jasager'. Bernadette Cronin (2015) Eine wichtige Studie über den 'Jasager'. Wissner Verlag, Augsburg. [Details] |
Performances
| Year | Publication | |
|---|---|---|
| (2015) | Solange in 'Playing the Maids'. Phillip Zarrilli, Kaite O'Reilly (2015) Solange in 'Playing the Maids'. Wales: Performances [Details] | |
| (2014) | Playing the Maids, Preview. Phillip Zarrilli, Kaite O'Reilly (2014) Playing the Maids, Preview. Cork: Performances [Details] | |
| (2013) | Cabinet of Curiosities. Bernadette Cronin, Regina Crowley, Mick O'Shea (2013) Cabinet of Curiosities. Cork: Performances [Details] | |
| (2013) | Beckett on Barracka. Bernadette Cronin, Regina Crowley, Mick O'Shea (2013) Beckett on Barracka. Mr. Bradley's Bar, Barrack St: Performances [Details] | |
| (2012) | Beckett at the Half Moon. Bernadette Cronin, Regina Crowley, Mick O'Shea (2012) Beckett at the Half Moon. Half Moon Theatre: Performances [Details] | |
| (2011) | Mary and Lizzie (Frank McGuinness). Bernadette Cronin, Ger Fitzgibbon (2011) Mary and Lizzie (Frank McGuinness). Performances [Details] | |
| (2010) | Maid in 'Pimping the Maids'. Bernadette Cronin, Regina Crowley, Mick O'Shea (2010) Maid in 'Pimping the Maids'. Cork: Performances [Details] | |
| (2010) | Fear and Misery in the Third Reich (Bertolt Brecht). Bernadette Cronin, Ger Fitzgibbon (2010) Fear and Misery in the Third Reich (Bertolt Brecht). Performances [Details] | |
| (2009) | Cabinet of Curiosities. Bernadette Cronin, Regina Crowley, Mick O'Shea (2009) Cabinet of Curiosities. Cork: Performances [Details] | |
| (2008) | The Possibilities (Howard Barker). Bernadette Cronin, Róisín O'Gorman ; (2008) The Possibilities (Howard Barker). Performances [Details] | |
| (2007) | Machinal (Treadwell), Granary Theatre Cork. Bernadette Cronin, Bernadette Sweeney (2007) Machinal (Treadwell), Granary Theatre Cork. Granary Theatre Cork: Performances [Details] | |
| (2007) | Feeling Spaces: A Collaborative Performance Project. Bernadette Cronin; (2007) Feeling Spaces: A Collaborative Performance Project. St Petersburg, Russia: Performances [Details] | |
| (2007) | The Cabinet of Curiosities. Bernadette Cronin, Mick O'Shea, Regina Crowley; (2007) The Cabinet of Curiosities. Platform Artists Series, Granary Theatre, Cork (April 2006), Granary Studio (November, 2006), Impact: Performances [Details] | |
| (2006) | Cabinet of Curiosities. Bernadette Cronin, Regina Crowley, Mick O'Shea (2006) Cabinet of Curiosities. Limerick: Performances [Details] | |
| (2005) | The Maids (Jean Genet). Bernadette Cronin; (2005) The Maids (Jean Genet). Graz, Austria: Performances [Details] | |
| (2007) | Earthangel (part one of a trilogy). Bernadette Cronin; (2007) Earthangel (part one of a trilogy). Cork Institute of Technology Arts Festival, Stack Theatre, CSM, November, 2007, Cork Midsummer Festi: Performances [Details] | |
| (2006) | Mina Harker (Dracula), Lighthouse Theatre Company, Cork. Bernadette Cronin; (2006) Mina Harker (Dracula), Lighthouse Theatre Company, Cork. Cork: Performances [Details] | |
| (2006) | Cabinet of Curiosities. Bernadette Cronin, Regina Crowley and Mick O¿Shea; (2006) Cabinet of Curiosities. Performances [Details] | |
| (2004) | W1 (Play) and May (Footfalls), in extension of the Beckett Project in Ireland. Bernadette Cronin; (2004) W1 (Play) and May (Footfalls), in extension of the Beckett Project in Ireland. Granary Theatre, Cork: Performances [Details] | |
| (2003) | Voyage to the Moon scripted and performed together with Jackdaw Theatre Company. Bernadette Cronin; (2003) Voyage to the Moon scripted and performed together with Jackdaw Theatre Company. Performances [Details] | |
| (2003) | Voyage to the Moon (devised theatre): Jackdaw Theatre Company, Crawford Museum Lecture Theatre, Cork. Bernadette Cronin; (2003) Voyage to the Moon (devised theatre): Jackdaw Theatre Company, Crawford Museum Lecture Theatre, Cork. Performances [Details] | |
| (2002) | he Bridge, The Vulture in Sleepwalking (adaptation of Kafka's shorter prose pieces). Bernadette Cronin; (2002) he Bridge, The Vulture in Sleepwalking (adaptation of Kafka's shorter prose pieces). Cork: Performances [Details] | |
| (2001) | Anna in Marber's 'Closer'. Bernadette Cronin; (2001) Anna in Marber's 'Closer'. Cork: Performances [Details] | |
| (2001) | Judith in 'The Unforseen Consequences of a Patriotic Act' (and other female roles from 'The Possibilities'). Howard Barker (2001) Judith in 'The Unforseen Consequences of a Patriotic Act' (and other female roles from 'The Possibilities'). Cork: Performances [Details] | |
| (2004) | Performance Project: BÄRLIN. Manfred Schewe / Bernadette Cronin (2004) Performance Project: BÄRLIN. University College Cork: Performances [Details] |
Professional Activities
Professional Associations
| Association | Function | From / To | |
|---|---|---|---|
| Actors Equity Ireland | member | / | |
| GAITKRASH Theatre company | Performance Maker | / |
Honours and Awards
| Year | Title | Awarding Body | |
|---|---|---|---|
| 2005 | Award for edited collection publication (Re-Acting to Ingeborg Bachmann - New Essays and Performances with CD and DVD) | Arts Faculty Research Committee | |
| 2004 | The Beckett Project in Ireland | President's Office UCC, Arts Faculty UCC, Granary theatre UCC, Board of DTS UCC, Cork City Council, RTE, Dept. English, UCC respectively | |
| 2004 | 750 Euro for the Ingeborg Bachmann Conference, Trinity College Dublin | Austrian Embassy, Dublin | |
| 2002 | 400 Euro For the reading tour (UCC, UCG, UCD, UCL and University College Maynooth) by the Berlin author, Lutz Rathenow, | Goethe Institut, Dublin | |
| 2004 | Requisite funding to bring a bi-lingual international exhibition on the Austrian writer Ingeborg Bachmann to UCC | Austrian Embassy, Dublin | |
| 2005 | Funding for publication of A Training Manual for Theatre Work in Social Fields with appended CD | European Commission, Sokrates-Programm GRUNDTVIGEuropean Commission, Sokrates-Programm GRUNDTVIG | |
| 2005 | Funding for publication of A Training Manual for Theatre Work in Social Fields with appended CD | European Commission, Sokrates-Programm GRUNDTVIGEuropean Commission, Sokrates-Programm GRUNDTVIG |
Conference Contributions
| Year | Publication | |
|---|---|---|
| (2016) | Conversations on Collaborations, Bernadette Cronin (2016) Irish Society For Theatre Research at WIT 2016. [Invited Lectures (Conference)], Conversations on Collaborations, Waterford Institute of Technology , 22-APR-16 - 23-APR-16. [Details] | |
| (2014) | Process & Practice: Adaptation Considered as a Collaborative Art, Donna Alexander, Bernadette Cronin, Rachel MagShamhráin, Nikolai Preuschoff (2014) Key-Notes: Thomas Leitch (Delaware) and Judith Buchanan (York) John Banville (in interview about adaptation in the context of his work). [Conference Organising Committee Member], Process & Practice: Adaptation Considered as a Collaborative Art, UCC, Ireland , 03-OCT-14 - 04-OCT-14. [Details] | |
| (2014) | Consciousness and Cognition: Theatre Practice and Performance, Bernadette Cronin (2014) Irish Society for Theatre Research Conference 2014. [Conference Organising Committee Member], Consciousness and Cognition: Theatre Practice and Performance, University College Cork . [Details] | |
| (2014) | Consciousness and Cognition: Theatre Practice and Performance, Bernadette Cronin (2014) Consciousness, the Psychophysical Actor and Performing 'Footfalls' by Samuel Beckett. [Oral Presentation], Consciousness and Cognition: Theatre Practice and Performance, University College Cork . [Details] | |
| (2014) | Process and Practice: Adaptation Considered as a Collaborative Art, Bernadette Cronin (2014) 'Playing the Maids': Playing with Adaptive Possibilities - an International Collaboration. [Oral Presentation], Process and Practice: Adaptation Considered as a Collaborative Art, University College Cork . [Details] | |
| (2014) | Our Bodies - Whose Property? A Transdisciplinary Thinkery on the Body, Bernadette Cronin (2014) Responding to a Panel on 'Interconnected and Disciplined Bodies'. [Invited Oral Presentation], Our Bodies - Whose Property? A Transdisciplinary Thinkery on the Body, University College Corn . [Details] | |
| (2013) | Theatre at the Crossroads of Language and Genre, Bernadette Cronin (2013) The Maids - Translation, Adaptation and the Politics of Cultural Capital. [Oral Presentation], Theatre at the Crossroads of Language and Genre, University of Warwick, UK . [Details] | |
| (2012) | Irish Society for Theatre Research 2012, Bernadette Cronin (2012) 'Beckett at the Factory': Reflections on a Practice-as-Research Project. [Oral Presentation], Irish Society for Theatre Research 2012, National University of Ireland Galway . [Details] | |
| (2011) | Postdramatic Theatre as/or Political Theatre - Representation, Mediatisation and Advanced Capitalism, Bernadette Cronin (2011) Postdramatic Theatre and Representing the Holocaust in the 21st Century. [Oral Presentation], Postdramatic Theatre as/or Political Theatre - Representation, Mediatisation and Advanced Capitalism, University of London . [Details] | |
| (2009) | German Department Research Seminar Series, University College Cork, Bernadette Cronin (2009) 'Pola': Postdramatic Theatre and the Holocaust - Performing the Literary Text/the Literary Text as Performer. [Invited Oral Presentation], German Department Research Seminar Series, University College Cork, University College Cork . [Details] | |
| (2008) | Postgraduate Research Seminar, University of Exeter, Bernadette Cronin (2008) 'Theatre as Witness: 'Speaking Stones' in the Underground Roman Caves of Wagna, Austria. [Invited Oral Presentation], Postgraduate Research Seminar, University of Exeter, University of Exeter, UK . [Details] | |
| (2008) | Objects of Engagement, Bernadette Cronin (2008) 'Cabinet of Curiosities': Objects as Compositions. [Oral Presentation], Objects of Engagement, Royal Holloway, University of London . [Details] | |
| (2008) | Royal Holloway, University of London, Objects of Engagement Conference, Bernadette Cronin (2008) 'Cabinet of Curiosities: Objects as Compositions'. [Oral Presentation], Royal Holloway, University of London, Objects of Engagement Conference, London , 12-JUN-08 - 12-JUN-08. [Details] | |
| (2004) | Ingeborg Bachmann Conference, Trinity College Dublin, Bernadette Cronin (2004) Bachmann, Beckett and Benjamin: 'On the Edge of Breath'. [Conference Organising Committee Member], Ingeborg Bachmann Conference, Trinity College Dublin, Trinity College Dublin , 30-APR-04 - 01-MAY-04. [Details] | |
| (2004) | Trinity College Dublin, Ingeborg Bachmann Conference, Bernadette Cronin (2004) Ingeborg Bachmann Conference to Mark 30th Anniversary of the Writer's Death. [Conference Organising Committee Member], Trinity College Dublin, Ingeborg Bachmann Conference, Dublin , 01-MAY-04 - 01-MAY-04. [Details] | |
| (2004) | Towards a Definition of Theatre in Social Fields, Manfred Schewe/Bernadette Cronin (2004) Contribution to 2nd Partner Conference on Theatre in Social Fields. [Invited Oral Presentation], Towards a Definition of Theatre in Social Fields, Berlin , 02-DEC-04 - 05-DEC-04. [Details] | |
| (2003) | Drama and Theatre in the Teaching and Learning of Language, Literature and Culture, Bernadette Cronin (2003) 'In Search of Jacob': Two Cultural Perspectives on a very Austrian Theme. [Oral Presentation], Drama and Theatre in the Teaching and Learning of Language, Literature and Culture, University College Cork . [Details] | |
| (2003) | Perforum, Drama & Theatre Studies, UCC, Research Forum, Bernadette Cronin (2003) Beckett, Benjamin and Paul Klee: Reflections on a Performance of 'Play'. [Oral Presentation], Perforum, Drama & Theatre Studies, UCC, Research Forum, Granary Studio, Perforum Series, University College Cork , 01-APR-03 - 01-APR-03. [Details] | |
| (2001) | Interdisciplinary Conference in Cross-Currents in Literature, Film and Visual Arts, Bernadette Cronin (2001) The City, the Body and the Text. [Oral Presentation], Interdisciplinary Conference in Cross-Currents in Literature, Film and Visual Arts, University College Cork . [Details] | |
| (2000) | NEMLA Conference, Bernadette Cronin (2000) Memory and Melancholia in the Writings of Ingeborg Bachmann and Marlen Haushofer. [Oral Presentation], NEMLA Conference, Buffalo, New York State . [Details] | |
| (1999) | Interdisciplinary Conference in Cross-Currents in Literature, Film and Visual Arts, Bernadette Cronin (1999) Messianic Time in the Writings of Walter Benjamin and Ingeborg Bachmann. [Oral Presentation], Interdisciplinary Conference in Cross-Currents in Literature, Film and Visual Arts, University College Cork . [Details] |
Employment
| Employer | Position | From / To | |
|---|---|---|---|
| University College Cork | Lecturer for Drama and Theatre Studies | 01-SEP-06 / | |
| University College Cork | College Language Teacher for German | 01-JAN-94 / 01-JAN-07 |
Languages
| Language | Reading | Writing | Speaking | |
|---|---|---|---|---|
| Dutch | Functional | Functional | Functional | |
| Italian | Functional | Functional | Functional | |
| German | Fluent | Fluent | Fluent |
Education
| Year | Institution | Qualification | Subject | |
|---|---|---|---|---|
| 2000 | Institute of Linguists Eductational Trust | Diploma | Translation - German/English | |
| 1996 | University College Cork | M.A. | Adaptation of Novel to Film Script | |
| 1991 | University College Cork | H.Dip.Ed. | ||
| 1986 | University College Cork | B.A. | German and English | |
| 2010 | University of Exeter | PhD | Drama and Theatre | |
| 1984 | London Academy of Music and Dramatic Art | Diploma | Acting |
Journal Activities
| Journal | Role | To / From | |
|---|---|---|---|
| Scenario - Drama And Theatre In Language Education | Referee | - |
Other Activities
| Description | |
|---|---|
Direction: 2007: (with B. Sweeney) Machinal (Treadwell), Granary Theatre Cork. (T) 2008: (with Róisín O’Gorman The Possibilities (Howard Barker) Granary Theatre Cork (T) Dramaturgy/Translation: 2009: Disco Pigs by Enda Walsh – Invitation to be a panellist on post-show discussion Collaboration with Bäbel Jogschies, Maxim Gorki Theatre, Berlin (T) 2007: Feeling Spaces A collaborative Performance project subsidized by Chisendale dance studio, London with Martin Welton (QMU, London), Klaus Seewald (Theater Asou, Graz), with invitation to Body Navigation Festival, St. Petersburg, Russia. (RP) 2005: The Maids (Genet), Theater Asou production of (22nd September – 1st October 2005), Kristallwerk, Graz, Austria, (dir.Phillip Zarrilli). (RP/PP) Continued Professional Development Kalarippayattu/Yoga/Tai Chi: (Summer intensive training at his studio in Wales/ with Theater Asou in Graz, Austria/ University of Exeter, 2002 - 2008) Michael Chekhov Technique: With David Zinder (Israel): Intensive actor-training workshop at University of Exeter (January 2006) Ashtanga / Hatha Yoga: Qualified Yoga instructor (Goa 2015), ongoing training with with Himalaya Yoga Valley Cork Kristin Linklater Voice Technique: Schnega, Germany, March 2010, Central School of Speech and Drama, August 2012, University of Columbia, NY, the Linklater Centre summer school, June 2012: Body, Voice, Shakespeare; Designated Linklater Voice Teacher July 2016, Fraueninsel, Germany Viewpoints of Performance: Workshop with Kyuu Theatre Company, Hebden Bridge, UK (27th – 29th August 2010) Modern Jazz Dance: With Still Waters Dance Company Roy Harte Voice and Movement: With Margaret Pikes and Neil Paris (Fabulous Beast co-founder) – 5-day intensive Hameau de l’Etoile, August 2014. Residencies Theatre Development Centre, Triskel Arts Centre, Cork: 22 – 26th August 2016 / 12th – 16th December 2016: GAITKRASH development of new project on Franz Kafka, entitled VOYAGE; Collaboration with Gaitkrash, artist Katherine Beug, and performer Andy Crook Heir Island Gallery: April 2016: to develop Killing Stella , a devised translation/adaptation project with cellist/composer Eimear Reidy, adapted from Wir töten Stella (Marlen Haushofer, 1958 Cil Rialaig Arts Centre: 29th August – 4th September 2016: to further develop Killing Stella , a devised translation/adaptation project with cellist/composer Eimear Reidy, adapted from Wir töten Stella (Marlen Haushofer, 1958 |
Teaching Activities
Teaching Interests
Bernadette Cronin teaches Adaptation to final year performance practice undergraduate students. She also teaches voice work for actors, and 20th century European Drama to second year students, and 20th and 21st century approaches to Actor Training to first year students. She is interested in exploring the application of yoga to actor training and this informs her teaching in the area of performance practice. She has taught advanced theatre practice on the taught MA programme, and She supervises M Res and PhD candidates in the areas of actor training, European theatre and performance making, and dance/physical theatre.Recent Postgraduates
| Graduation Year | Student Name | Institution | Degree Type | Thesis Title | |
|---|---|---|---|---|---|
| 2018 | Imna Pavon | NUI (UCC) | Master of Philosophy | Re-choreographing the Artist Within: Explorations on Duration and Chance | |
| 2009 | Julie Sharkey | NUI (UCC) | Master of Arts | Renegade Commedia Dell-Arte and Shadow Play: Approaches to a Theatreical Adaptation of W.Somerset Maugham’s ‘The Three Fat Women of Antibes’ | |
| 2004 | Catherine McFadden | NUI (UCC) | Master of Arts | Beckett’s What Where & Pinter’s One for the Road: Echoes, Parallels, Distinctions in Theory and Practice | |
| 2005 | Michael Bachman | NUI (UCC) | Master of Arts | A Non-Biographical Analysis of Sarah Kane’s Crave | |
| 2013 |  Mark D’Aughton | NUI (UCC) | Master of Research | ||
| 2008 | Louise Brown | NUI (UCC) | Master of Arts | Kristin Linklater’s Methodology for Voice Applied to Samuel Beckett’s Radio Play 'Cascando' | |
| 2010 | Danielle Kellermann | NUI (UCC) | Master of Arts | Tongue-Tied: The Afrikaner Dilemma in Post-Apartheid South Africa | |
| 2011 | Allison Blackburn | NUI (UCC) | Master of Arts | Transitioning from Primary to Secondary School: A Process Drama Workshop | |
| 2013 | Kate Coady | NUI (UCC) | Master of Research | Yeats and The Muse | |
| 2007 | Kate Kalin | NUI (UCC) | Master of Arts | Seeking a Higher Consciousness: an Investigation into Psychophysical Training and the Transformation of the Actor |
Current Postgraduate Students
| Student | Degree Type | |
|---|---|---|
| Klich Patricia | Doctoral Degree | |
| Kibbe Thomas | Doctoral Degree | |
| Walsh Scotty | Doctoral Degree |
Modules Taught
| Term (ID)) | Title | Link | Subject | |
|---|---|---|---|---|
| 2021 | Cultures of Performance Practice | DR1010 | Cultures of Performance Practice | |
| 2021 | Research Placement | DR3023 | Research Placement | |
| 2021 | Cultures of Voicing: Advanced | DR3017 | Cultures of Voicing: Advanced | |
| 2021 | Final Year Project | DR3013 | Final Year Project | |
| 2021 | Special Studies in Production | DR2022 | Special Studies in Production | |
| 2021 | Directed Study in Theatre and Performance | DR6024 | Directed Study in Theatre and Performance | |
| 2021 | Special Studies in Theatre and Performative Practices | DR3006 | Special Studies in Theatre and Performative Practices | |
| 2021 | Performative Writing in Contemporary Theatre | DR2002 | Performative Writing in Contemporary Theatre |
Research Information
Internal Collaborators
| Name | Institute | Country | |
|---|---|---|---|
| Dr Rachel Magshamhrain | UCC | IRELAND | |
| Nikolai Preuschoff | University College Cork | IRELAND | |
| Dr. Marie Kelly | UCC | IRELAND | |
| Mick O'Shea | UCC | IRELAND |
External Collaborators
| Name | Organisation / Institute | Country | |
|---|---|---|---|
| Professor Phillip Zarrilli | University of Exeter / Llanarth Group Wales | UNITED KINGDOM | |
| Jeungsook Yoo, Sunhee Kim | Theatre P'Yut | KOREA | |
| Regina Crowley | Cork Institute of Technology | IRELAND |
