I am Professor of Music and former Head of Department of Music and former Head of School of Music and Theatre at UCC. I am an ethnomusicologist specialising in the music of East Asia, China and Taiwan. I am also interested in applied ethnomusicology, English folk music, music education, musical analysis, and the global history and theory of ethnomusicology.
I completed my PhD at the Queen’s University of Belfast and was a British Academy Postdoctoral Fellow and then Lecturer at the University of Durham, before moving to Sheffield to found a new programme in ethnomusicology, where I served as Lecturer, Reader and then Professor of Ethnomusicology. From 2011-12, I was Associate Dean for Research, Sydney Conservatorium of Music, University of Sydney. I have also acted as a UK Arts and Humanities Research Council panel chair (Music, Drama and the Performing Arts; Beyond Text Special Theme Commissioning Panel; and Annual Postgraduate Awards Panel). I have been editor of several journals, including The World of Music, and, more recently, co-editor of Ethnomusicology Forum.
I have been primary supervisor for 20 successfully completed PhDs (secondary supervisor for another 12), 12 research masters and 33 taught masters. Many of these concerned music in China, Taiwan or England, with several others focused on Iran, India, Korea, Cyprus and Malta. Most were ethnographic studies but others involved approaches from arts practice (including composing and performing), historical musicology, music education or music analysis. I am currently primary supervisor for 14 PhD students and co-supervisor for another 6. Their research topics include music in China, India, Italy, Ireland, USA, Mexico, Greece and Cyprus and they embrace a wide range of (inter)disciplinary approaches and emphases, from historical subjects to contemporary expressions and from localised traditions to global trends.
I have published widely, and received and directed grants in Chinese music research, the study of Taiwanese musical culture, English folklore, Chinese studies and Korean nationalism. I've also acted as mentor and team member on several grants in digital musicology, Asian studies, Indigenous studies and ethnomusicology.
Biography
I am Professor of Music and former Head of Department of Music and former Head of School of Music and Theatre at UCC. I am an ethnomusicologist specialising in the music of East Asia, China and Taiwan. I am also interested in applied ethnomusicology, English folk music, music education, musical analysis, and the global history and theory of ethnomusicology.
I completed my PhD at the Queen’s University of Belfast and was a British Academy Postdoctoral Fellow and then Lecturer at the University of Durham, before moving to Sheffield to found a new programme in ethnomusicology, where I served as Lecturer, Reader and then Professor of Ethnomusicology. From 2011-12, I was Associate Dean for Research, Sydney Conservatorium of Music, University of Sydney. I have also acted as a UK Arts and Humanities Research Council panel chair (Music, Drama and the Performing Arts; Beyond Text Special Theme Commissioning Panel; and Annual Postgraduate Awards Panel). I have been editor of several journals, including The World of Music, and, more recently, co-editor of Ethnomusicology Forum.
I have been primary supervisor for 20 successfully completed PhDs (secondary supervisor for another 12), 12 research masters and 33 taught masters. Many of these concerned music in China, Taiwan or England, with several others focused on Iran, India, Korea, Cyprus and Malta. Most were ethnographic studies but others involved approaches from arts practice (including composing and performing), historical musicology, music education or music analysis. I am currently primary supervisor for 14 PhD students and co-supervisor for another 6. Their research topics include music in China, India, Italy, Ireland, USA, Mexico, Greece and Cyprus and they embrace a wide range of (inter)disciplinary approaches and emphases, from historical subjects to contemporary expressions and from localised traditions to global trends.
I have published widely, and received and directed grants in Chinese music research, the study of Taiwanese musical culture, English folklore, Chinese studies and Korean nationalism. I've also acted as mentor and team member on several grants in digital musicology, Asian studies, Indigenous studies and ethnomusicology.
Research Interests
- ethnomusicology
- applied ethnomusicology
- music of China and Taiwan, including that of the overseas Chinese
- English traditional music
- music education
- music analysis
Research Grants
| Project | Funding Body | Start Date | End Date | Award | |
|---|---|---|---|---|---|
| Intersexuality in Chinese Martial Arts: Transnational Identity Construction at the Junctures of Kung Fu, Music, Lion Dance and Film | Irish Research Council | 01-OCT-16 | 30-SEP-18 | €91,790.00 | |
| Personal Research Grant | Other: Not Listed | 01-JAN-11 | 31-DEC-11 | €6,000.00 | |
| White Rose East Asia Centre | Economic & Social Research Council (UK) | 01-JAN-07 | 31-DEC-09 | €4,000,000.00 | |
| History of Chinese music conference keynote | Other: Not Listed | 01-JAN-13 | 30-APR-13 | €10,000.00 | |
| National High-End Foreign Experts Program, China Education Ministry & Yunnan University | 01-SEP-17 | 01-DEC-17 | €9,000.00 | ||
| Ethnography in the Performing Arts | Other: Not Listed | 01-OCT-07 | 30-JUN-08 | €2,148.00 | |
| Applying Cultural Heritage as a Means of Sustainable Development: Voices of Women Culture Bearers in Yunnan, China | Irish Research Council | 29-SEP-17 | 31-DEC-21 | €242,630.00 | |
| Making Sense of TV Music Talents Shows in China - An Audience Ethnolgraphy. | Irish Research Council | 01-OCT-15 | 30-SEP-17 | €86,564.00 | |
| Interactive Research in Music as Sound: Transforming Digital Musicology | Horizon 2020 | 01-OCT-17 | 31-MAR-23 | €100,950.00 | |
| Centre for Applied and Interdisciplinary Research in Music | Other: Not Listed | 01-JAN-07 | 31-MAY-07 | €300.00 |
Publications
Books
| Year | Publication | |
|---|---|---|
| (2021) | Everyday musical life among the Indigenous Bunun, Taiwan. Stock Jonathan P.J.;Chou Chiener. (2021) Everyday musical life among the Indigenous Bunun, Taiwan. New York: Routledge. [DOI] [Details] | |
| (2013) | Shijie yinyue jiaocheng: Yinxiang yu yuepu keli. Jonathan P. J. Stock (2013) Shijie yinyue jiaocheng: Yinxiang yu yuepu keli. Nanjing: Nanjing Shifan Daxue Chubanshe. [Details] | |
| (2009) | Huju: Xiandai Shanghai de chuantong xiqu. Jonathan P. J. Stock (2009) Huju: Xiandai Shanghai de chuantong xiqu. Shanghai: Shanghai Music Conservatory Press. [Details] | |
| (2003) | Huju: Traditional Opera in Modern Shanghai. Jonathan P. J. Stock (2003) Huju: Traditional Opera in Modern Shanghai. Oxford: Oxford University Press. [Details] | |
| (1996) | World Sound Matters: An Anthology of Music from Around the World. Jonathan P. J. Stock (1996) World Sound Matters: An Anthology of Music from Around the World. London: Schott. [Details] | |
| (1996) | Musical Creativity in Twentieth-Century China: Abing, His Music and Its Changing Meanings. Jonathan P. J. Stock (1996) Musical Creativity in Twentieth-Century China: Abing, His Music and Its Changing Meanings. Rochester, NY: Rochester University Press. [Details] | |
| (1989) | Music History and Form Made Simple. Jonathan P. J. Stock (1989) Music History and Form Made Simple. Barrhill, Ayrshire, Scotland: Piper Publications. [Details] | |
| (1989) | Harmony for Beginners. Jonathan P. J. Stock (1989) Harmony for Beginners. Barrhill, Ayrshire, Scotland: Piper Publications. [Details] | |
| (1988) | Harmony for Beginners. Jonathan P. J. Stock (1988) Harmony for Beginners. Kuala Lumpur: JSWM. [Details] | |
| (1987) | Music History and Form Made Simple. Jonathan P. J. Stock (1987) Music History and Form Made Simple. Kuala Lumpur: JSWM Publications. [Details] |
Edited Books
| Year | Publication | |
|---|---|---|
| (2023) | The Oxford Handbook of the Music of China and the Chinese Diaspora Yu Hui, Jonathan P.J. Stock (Ed.). (2023) The Oxford Handbook of the Music of China and the Chinese Diaspora New York: Oxford University Press. [DOI] [Details] | |
| (2022) | The Routledge Companion to Ethics and Research in Ethnomusicology Jonathan P.J. Stock, Beverley Diamond (Ed.). (2022) The Routledge Companion to Ethics and Research in Ethnomusicology New York: Routledge. [Details] | |
| (2014) | Chinese Violin Solos Jonathan P. J. Stock (Ed.). (2014) Chinese Violin Solos Chinese Violin Solos. London: Schott. [Details] | |
| (2009) | Chinese Flute Solos Stock, J (Ed.). (2009) Chinese Flute Solos Chinese Flute Solos. London: Schott. [Details] | |
| (2005) | Music and Dance in War, Revival, and Islam, and New and Applied Research in Ethnomusicology and Ethnochoreology: Abstracts of the 38th World Conference of the International Council for Traditional Music, Sheffield 2005 Stock, J (Ed.). (2005) Music and Dance in War, Revival, and Islam, and New and Applied Research in Ethnomusicology and Ethnochoreology: Abstracts of the 38th World Conference of the International Council for Traditional Music, Sheffield 2005 Music and Dance in War, Revival, and Islam, and New and Applied Research in Ethnomusicology and Ethnochoreology: Abstracts of the 38th World Conference of the International Council for Traditional Music, Sheffield 2005. Sheffield: Northend. [Details] | |
| (2004) | Singing the Village: Music, Memory and Ritual among the Sibe of Xinjiang; by Rachel Harris Stock, J (Ed.). (2004) Singing the Village: Music, Memory and Ritual among the Sibe of Xinjiang; by Rachel Harris Singing the Village: Music, Memory and Ritual among the Sibe of Xinjiang; by Rachel Harris. Oxford: Oxford University Press. [Details] | |
| (1998) | Chinese Violin Solos Stock, J (Ed.). (1998) Chinese Violin Solos Chinese Violin Solos. London: Schott. [Details] | |
| (1994) | Chinese Flute Solos Stock, J (Ed.). (1994) Chinese Flute Solos Chinese Flute Solos. London: Schott. [Details] |
Book Chapters
| Year | Publication | |
|---|---|---|
| (2023) | 'Conclusions: New Directions in Chinese Music Research' Jonathan P.J. Stock (2023) 'Conclusions: New Directions in Chinese Music Research' In: Yu Hui, Jonathan P.J. Stock (eds). The Oxford Handbook of Music in China and the Chinese Diaspora. New York: Oxford University Press. [DOI] [Details] | |
| (2022) | 'Afterword' Jonathan Stock (2022) 'Afterword' In: Susan Motherway, John O’Connell (eds). Staged Folklore, The National Folk Theatre of Ireland 1968-1998. Cork: Cork University Press. [Full Text] [Details] | |
| (2022) | 'Ethics in Ethnomusicological Research: Historical Perspectives, Emergent Challenges' Stock, Jonathan P. J. (2022) 'Ethics in Ethnomusicological Research: Historical Perspectives, Emergent Challenges' In: The Routledge Companion to Ethics and Research in Ethnomusicology. New York: Routledge. [DOI] [Full Text] [Details] | |
| (2021) | 'Music in the Moment, Or One Day in Buklavu' Stock, Jonathan P. J.; Chiener, Chou (2021) 'Music in the Moment, Or One Day in Buklavu' In: Everyday Musical Life among the Indigenous Bunun, Taiwan. New York: Routledge. [DOI] [Full Text] [Details] | |
| (2019) | 'Shenke fenxi fa zai minzuyinyuexue zhong de yingyong' Jonathan P.J. Stock (2019) 'Shenke fenxi fa zai minzuyinyuexue zhong de yingyong' In: Cao Benye and Luo Qin (eds). Ethnomusicology Lilun yu fangfa: Yingwen wenxian daodu [Ethnomusicology: Theory and Method: A Guide to Literature in English]. Shanghai: Shanghai yinyue xueyuan chubanshe. [Details] | |
| (2019) | 'Sounding the Bromance: The Chopstick Brothers’ “Little Apple” Music Video, Genre, Gender and the Search for Meaning in Chinese Popular Music' Jonathan P.J. Stock (2019) 'Sounding the Bromance: The Chopstick Brothers’ “Little Apple” Music Video, Genre, Gender and the Search for Meaning in Chinese Popular Music' In: Yu Hui, Stephen Wild (eds). Global Perspectives on Chinese Music in the Internet Age / Hulianwang yujing zhong Zhongguo yinyue de guoji shiye. Hangzhou: Zhejiang University Press. [Details] | |
| (2017) | 'Foreword: Audiencing' Jonathan P. J. Stock (2017) 'Foreword: Audiencing' In: Ioannis Tsioulakis and Elina Hytonen-Ng (eds). Musicians and Audiences: Performance, Speech and Mediation. Abingdon: Routledge. [Details] | |
| (2016) | 'Introduction: Modalities of Music in “Minor Cinema”' Jonathan P. J. Stock (2016) 'Introduction: Modalities of Music in “Minor Cinema”' In: Germán Gil Curiel (eds). Film Music in ‘Minor’ National Cinemas. New York: Bloomsbury. [Details] | |
| (2016) | 'Asia/China, Taiwan, Singapore, Overseas Chinese' Jonathan P. J. Stock (2016) 'Asia/China, Taiwan, Singapore, Overseas Chinese' In: Jeff T. Titon (eds). Worlds of Music: An Introduction to the Music of the World’s Peoples, Shorter version, 4th ed. Cengage Learning: Boston. [Details] | |
| (2015) | 'Asia/China, Taiwan, Singapore, Overseas Chinese' Jonathan P. J. Stock (2015) 'Asia/China, Taiwan, Singapore, Overseas Chinese' In: Jeff Todd Titon (eds). Worlds of Music: An Introduction to the Music of the World’s Peoples, 6th ed. Boston: Cengage Learning. [Details] | |
| (2014) | 'Implications for Ethnomusicology' Jonathan P. J. Stock (2014) 'Implications for Ethnomusicology' In: Dorottya Fabian; Renee Timmers; and Emery Schubert (eds). Expressivity in Music Performance: Empirical approaches across styles and cultures. New York: Oxford University Press. [Details] | |
| (2013) | 'Four Recurring Themes in Histories of Chinese Music' Jonathan P. J. Stock (2013) 'Four Recurring Themes in Histories of Chinese Music' In: The Cambridge History of World Music. Cambridge: Cambridge University Press. [Details] | |
| (2012) | '‘Yinyue yu geren chuanji,’ [Music and Biography]' Jonathan P. J. Stock (2012) '‘Yinyue yu geren chuanji,’ [Music and Biography]' In: Minzu yinyuexue de zuixin lilun [The Newest Theories of Ethnomusicology]. Shanghai: Shanghai Music Conservatory Press. [Details] | |
| (2010) | 'Recordings as Research Tools in Ethnomusicology' Jonathan P. J. Stock (2010) 'Recordings as Research Tools in Ethnomusicology' In: Recorded Music: Performance, Culture and Technology. Cambridge: Cambridge University Press. [Details] | |
| (2010) | 'Toward an Ethnomusicology of the Individual, Or Biographical Writing in Ethnomusicology' Jonathan P. J. Stock (2010) 'Toward an Ethnomusicology of the Individual, Or Biographical Writing in Ethnomusicology' In: The World of Music: Readings in Ethnomusicology. Berlin: VWB Verlag. [Details] | |
| (2009) | 'Shao Binsun and Huju Traditional Opera in Shanghai' Stock, J; Shao Binsun (2009) 'Shao Binsun and Huju Traditional Opera in Shanghai' In: Lives in Chinese Music. Urbana: University of Illinois Press. [Details] | |
| (2009) | 'East Asia/China, Taiwan, Singapore, Overseas Chines' Jonathan P. J. Stock (2009) 'East Asia/China, Taiwan, Singapore, Overseas Chines' In: Worlds of Music: An Introduction to the Music of the World’s Peoples. Shorter Edition. New York: Schirmer. [Details] | |
| (2009) | 'East Asia/China, Taiwan, Singapore, Overseas Chinese' Jonathan P. J. Stock (2009) 'East Asia/China, Taiwan, Singapore, Overseas Chinese' In: Worlds of Music: An Introduction to the Music of the World's Peoples, 5th ed. Belmost, CA: Schirmer Cengage Learning. [Details] | |
| (2008) | 'Fieldwork at Home' Stock, J; Chou C (2008) 'Fieldwork at Home' In: Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology. New York: Oxford University Press. [Details] | |
| (2008) | 'New Disciplinary Directions in Ethnomusicology: Seven Themes toward Disciplinary Renewal' Jonathan P. J. Stock (2008) 'New Disciplinary Directions in Ethnomusicology: Seven Themes toward Disciplinary Renewal' In: The New (Ethno)musicologies. Kanham, MA: Scarecrow. [Details] | |
| (2006) | '“Yang’s Eight Pieces”: Composing a Musical Set-Piece in a Chinese Local Opera Tradition' Jonathan P. J. Stock (2006) '“Yang’s Eight Pieces”: Composing a Musical Set-Piece in a Chinese Local Opera Tradition' In: Analytical Studies in World Music. New York: Oxford University Press. [Details] | |
| (2005) | ''Geju' and 'Liyuanxi'' Jonathan P. J. Stock (2005) ''Geju' and 'Liyuanxi'' In: Edward L. Davis (eds). Encyclopedia of Contemporary Chinese Culture. New York: Routlege. [Details] | |
| (2004) | 'Documenting the Music Event: Observation, Participation, Representation' Jonathan P. J. Stock (2004) 'Documenting the Music Event: Observation, Participation, Representation' In: Empirical Musicology: Aims, Methods, Prospects. Oxford: Oxford University Press. [Details] | |
| (2004) | 'Peripheries and interfaces: the Western impact on other music' Stock, Jonathan P. J. (2004) 'Peripheries and interfaces: the Western impact on other music' In: Cambridge History of Twentieth-Century Music. Cambridge: Cambridge University Press. [Full Text] [Details] | |
| (2002) | 'Concepts of World Music and Their Integration within Western Music Education' Jonathan P. J. Stock (2002) 'Concepts of World Music and Their Integration within Western Music Education' In: Gary Spruce (eds). Aspects of Teaching Secondary Music: Perspectives on Practice. London: Routledge. [Details] | |
| (2002) | 'Huju: Traditional Shanghai Opera' Jonathan P. J. Stock (2002) 'Huju: Traditional Shanghai Opera' In: Bruno Nettl, Ruth M. Stone, Robert C. Provine, James Porter, Timothy Rice (eds). The Garland Encyclopedia of World Music: East Asia : China, Japan, and Korea, Volume 7. New York: Garland. [Details] | |
| (2000) | 'Abing, 1: 24-25; Beijing, 3: 147-48; Cao Dongfu, 5: 82; Chen Gang, 5: 565; Chen Peixum, 5: 565-66; China II, 6: History and Theory Since 1911, 5: 647-52; China IV, 6(i): Western-Influenced Styles, General, 5: 692-95; Du Mingxin, 7:695-96; Feng Zicun, 8:699; He Zhanhao, 11:478; Huqin, 11: 876-78 [revision of an article by Alan Thrasher]; Jiang Wenye, 13: 117; Li Tingsong, 14: 892; Lin Shicheng, 14: 740; Liu Dehai, 15: 12; Liu Tianhua, 15: 13; Lu Chunling, 15: 273; Luo Jiuxiang, 15: 315; Ma Ke, 15: 649; Ma Sicong, 16: 29; Min Huifen, 16: 716; Nie Er, 17: 885; Qu Wei, 20: 692; Shanghai, 23: 201-2; Sun Yude, 24: 712-13; Tan Xiaolin, 25: 82; Wei Zhongle, 27: 264; WuZuqiang, 27: 597; Xian Xinghai, 27: 613-14; Zhao Songting, 27: 801; and Zhao Yuzhai, 27: 264' Jonathan P. J. Stock (2000) 'Abing, 1: 24-25; Beijing, 3: 147-48; Cao Dongfu, 5: 82; Chen Gang, 5: 565; Chen Peixum, 5: 565-66; China II, 6: History and Theory Since 1911, 5: 647-52; China IV, 6(i): Western-Influenced Styles, General, 5: 692-95; Du Mingxin, 7:695-96; Feng Zicun, 8:699; He Zhanhao, 11:478; Huqin, 11: 876-78 [revision of an article by Alan Thrasher]; Jiang Wenye, 13: 117; Li Tingsong, 14: 892; Lin Shicheng, 14: 740; Liu Dehai, 15: 12; Liu Tianhua, 15: 13; Lu Chunling, 15: 273; Luo Jiuxiang, 15: 315; Ma Ke, 15: 649; Ma Sicong, 16: 29; Min Huifen, 16: 716; Nie Er, 17: 885; Qu Wei, 20: 692; Shanghai, 23: 201-2; Sun Yude, 24: 712-13; Tan Xiaolin, 25: 82; Wei Zhongle, 27: 264; WuZuqiang, 27: 597; Xian Xinghai, 27: 613-14; Zhao Songting, 27: 801; and Zhao Yuzhai, 27: 264' In: John Tyrrell (eds). New Grove Dictionary of Music and Musicians. Virginia: Grove. [Details] | |
| (1996) | 'Concepts of world music and their integration within western music education' Jonathan P. J. Stock (1996) 'Concepts of world music and their integration within western music education' In: Gary Spruce (eds). Teaching Music. London: Routledge. [Details] |
Peer Reviewed Journals
| Year | Publication | |
|---|---|---|
| (2021) | 'Scoring Alien Worlds: World Music Mashups in 21st-Century TV, Film and Video Games' Jonathan P.J. Stock (2021) 'Scoring Alien Worlds: World Music Mashups in 21st-Century TV, Film and Video Games'. Malaysian Journal Of Music, 10 (2):13-28 [DOI] [Full Text] [Details] | |
| (2018) | 'Indigeneity' Jonathan P.J. Stock (2018) 'Indigeneity'. Music and Arts in Action, 6 (2):59-72 [Full Text] [Details] | |
| (2018) | 'Violence' Jonathan P.J. Stock (2018) 'Violence'. Music and Arts in Action, 6 (2):91-104 [Full Text] [Details] | |
| (2016) | 'Sounding the Bromance: The Chopstick Brothers’ ‘Little Apple’ music video, genre, gender and the search for meaning in Chinese popular music' Stock, Jonathan P. J. (2016) 'Sounding the Bromance: The Chopstick Brothers’ ‘Little Apple’ music video, genre, gender and the search for meaning in Chinese popular music'. Journal Of World Popular Music, 3 (2):167-196 [DOI] [Full Text] [Details] | |
| (2014) | 'Ji Kang and His Musical and Historical Contexts' Jonathan P. J. Stock (2014) 'Ji Kang and His Musical and Historical Contexts'. Acta Musicologica, [Details] | |
| (2010) | 'Toward an Ethnomusicology of the Individual, Or Biographical Writing in Ethnomusicology' Jonathan P. J. Stock (2010) 'Toward an Ethnomusicology of the Individual, Or Biographical Writing in Ethnomusicology'. World of Music, 52 (1-3):332-346 [Details] | |
| (2007) | 'Alexander J. Ellis and His Place in the History of Ethnomusicology' Jonathan P. J. Stock (2007) 'Alexander J. Ellis and His Place in the History of Ethnomusicology'. Ethnomusicology, 51 (2):306-325 [Details] | |
| (2006) | 'Clues from Our Present Peers?: A Response to Victor Grauer' Jonathan P. J. Stock (2006) 'Clues from Our Present Peers?: A Response to Victor Grauer'. World of Music, 48 (2):73-91 [Details] | |
| (2004) | 'Ordering Performance, Leading People: Structuring an English Folk Music Session' Jonathan P. J. Stock (2004) 'Ordering Performance, Leading People: Structuring an English Folk Music Session'. World of Music, 46 (1):41-70 [Details] | |
| (2003) | 'Music Education: Perspectives from Ethnomusicology' Jonathan P. J. Stock (2003) 'Music Education: Perspectives from Ethnomusicology'. British Journal Of Music Education, 20 (2):135-145 [Details] | |
| (2002) | 'Place and Music: Institutions and Cosmopolitanism in ‘Shenqu’, Shanghai Traditional Local Opera, 1912–1949' Jonathan P. J. Stock (2002) 'Place and Music: Institutions and Cosmopolitanism in ‘Shenqu’, Shanghai Traditional Local Opera, 1912–1949'. Music and Letters, 83 (4) [Details] | |
| (2001) | 'Toward an Ethnomusicology of the Individual, Or Biographical Writing in Ethnomusicology' Jonathan P. J. Stock (2001) 'Toward an Ethnomusicology of the Individual, Or Biographical Writing in Ethnomusicology'. World of Music, 43 (1):5-19 [Details] | |
| (1999) | 'A Reassessment of the Relationship between Text, Speech Tone, Melody and Aria Structure in Beijing Opera' Jonathan P. J. Stock (1999) 'A Reassessment of the Relationship between Text, Speech Tone, Melody and Aria Structure in Beijing Opera'. Journal of Musicological Research, 18 :183-206 [Details] | |
| (1998) | 'New Musicologies, Old Musicologies: Ethnomusicology and the Study of Western Music' Jonathan P. J. Stock (1998) 'New Musicologies, Old Musicologies: Ethnomusicology and the Study of Western Music'. Current Musicology, 62 :40-68 [Details] | |
| (1997) | 'Orchestration as Structural Determinant: Mozart's Deployment of Woodwind Timbre in the Slow Movement of the C Minor Piano Concerto, K.491' Jonathan P. J. Stock (1997) 'Orchestration as Structural Determinant: Mozart's Deployment of Woodwind Timbre in the Slow Movement of the C Minor Piano Concerto, K.491'. Music and Letters, 78 (2):210-219 [Details] | |
| (1996) | 'Musical Narrative, Ideology, and the life of Abing' Jonathan P. J. Stock (1996) 'Musical Narrative, Ideology, and the life of Abing'. Ethnomusicology, 40 (1):49-74 [Details] | |
| (1993) | 'The Application of Schenkerian Analysis to Ethnomusicology: Problems and Possibilities' Jonathan P. J. Stock (1993) 'The Application of Schenkerian Analysis to Ethnomusicology: Problems and Possibilities'. Music Analysis, 12 (2):215-240 [Details] | |
| (1993) | 'An Ethnomusicological Perspective on Musical Style, With Reference to Music for Chinese Two-Stringed Fiddles' Jonathan P. J. Stock (1993) 'An Ethnomusicological Perspective on Musical Style, With Reference to Music for Chinese Two-Stringed Fiddles'. Journal of The Royal Musical Association, 118 (2):276-299 [Details] | |
| (1991) | 'A Case for World Music' Jonathan P. J. Stock (1991) 'A Case for World Music'. British Journal Of Music Education, 8 (2):101-118 [Details] |
Articles
| Year | Publication | |
|---|---|---|
| (2007) | Ittra ta' Jonathan Stock / A Visiting Ethnomusicologist's Impressions of the St Philip Band Club. Jonathan P. J. Stock (2007) Ittra ta' Jonathan Stock / A Visiting Ethnomusicologist's Impressions of the St Philip Band Club. Żebbuġ: Articles [Details] | |
| (2003) | Chongxin pingjia jingju shengqiang, xuanlu jiegou yu yuyanshengdiao de guanxi, (A Reassessment of the Relationship between Text, Speech Tone, Melody and Aria Structure in Beijing Opera, trans. Zhou Qian'er). Jonathan P. J. Stock (2003) Chongxin pingjia jingju shengqiang, xuanlu jiegou yu yuyanshengdiao de guanxi, (A Reassessment of the Relationship between Text, Speech Tone, Melody and Aria Structure in Beijing Opera, trans. Zhou Qian'er). Articles [Details] | |
| (2002) | Learning Huju in Shanghai 1900-1950: Apprenticeship and the Acquisition of Expertise in a Chinese Local Operatic Tradition. Jonathan P. J. Stock (2002) Learning Huju in Shanghai 1900-1950: Apprenticeship and the Acquisition of Expertise in a Chinese Local Operatic Tradition. Articles [Details] | |
| (2001) | Annotated translation of Xia Fulin, 'Fifty Years Learning Tanhuang'. Jonathan P. J. Stock (2001) Annotated translation of Xia Fulin, 'Fifty Years Learning Tanhuang'. Articles [Details] | |
| (2001) | Value Judgements: Ethnomusicology, Musical Worth and Music Criticism. Jonathan P. J. Stock (2001) Value Judgements: Ethnomusicology, Musical Worth and Music Criticism. Italy: Articles [Details] | |
| (2001) | Ershi shiji de Zhongguo yinyue chuangzuo: Abing de yinyue yu yiyi Daoyan, (shang), (Musical Creativity in Twentieth-Century China: Abing, His Music, and Its Changing Meanings, Introduction Part 1, trans. Shen Qin. Jonathan P. J. Stock (2001) Ershi shiji de Zhongguo yinyue chuangzuo: Abing de yinyue yu yiyi Daoyan, (shang), (Musical Creativity in Twentieth-Century China: Abing, His Music, and Its Changing Meanings, Introduction Part 1, trans. Shen Qin. Articles [Details] | |
| (2001) | Ershi shiji de Zhongguo yinyue chuangzuo: Abing de yinyue yu yiyi Daoyan, (shang), (Musical Creativity in Twentieth-Century China: Abing, His Music, and Its Changing Meanings, Introduction Part 2, trans. Shen Qin. Jonathan P. J. Stock (2001) Ershi shiji de Zhongguo yinyue chuangzuo: Abing de yinyue yu yiyi Daoyan, (shang), (Musical Creativity in Twentieth-Century China: Abing, His Music, and Its Changing Meanings, Introduction Part 2, trans. Shen Qin. Articles [Details] | |
| (1997) | Huju and Musical Change: The Rise of a Local Operatic Form in East China, to 1920. Jonathan P. J. Stock (1997) Huju and Musical Change: The Rise of a Local Operatic Form in East China, to 1920. Pittsburgh: Articles [Details] | |
| (1997) | Zhongguo yinyue wenlun tiyao zhai yi liang pian, (Huju de zaoqi lishi yu yinyue bianqian, trans. Dai Wei). Jonathan P. J. Stock (1997) Zhongguo yinyue wenlun tiyao zhai yi liang pian, (Huju de zaoqi lishi yu yinyue bianqian, trans. Dai Wei). Articles [Details] | |
| (1995) | Concetti di World Music e loro integrazione nell'educazione musicale della scuola secondaria occidentale. Jonathan P. J. Stock (1995) Concetti di World Music e loro integrazione nell'educazione musicale della scuola secondaria occidentale. Articles [Details] | |
| (1995) | Reconsidering the Past: Zhou Xuan and the Rehabilitation of Early Twentieth-century Popular Music. Jonathan P. J. Stock (1995) Reconsidering the Past: Zhou Xuan and the Rehabilitation of Early Twentieth-century Popular Music. Articles [Details] | |
| (1994) | Shenke fenxi fa zai minzuyinyuexue zhong de yingyong. Jonathan P. J. Stock (1994) Shenke fenxi fa zai minzuyinyuexue zhong de yingyong. Articles [Details] | |
| (1994) | Etics he Emics: tamen de qiyuan yu yunyong (Etics and Emics: Their Origind and Uses. Jonathan P. J. Stock; Christopher Evans (1994) Etics he Emics: tamen de qiyuan yu yunyong (Etics and Emics: Their Origind and Uses. Articles [Details] | |
| (1994) | Three Erhu Pieces by Abing: An Analysis of Improvisational Processes in Chinese Traditional Instrumental Music. Jonathan P. J. Stock (1994) Three Erhu Pieces by Abing: An Analysis of Improvisational Processes in Chinese Traditional Instrumental Music. Articles [Details] | |
| (1994) | Concepts of World Music and their Integration in Western Secondary Music Education. Jonathan P. J. Stock (1994) Concepts of World Music and their Integration in Western Secondary Music Education. London: Articles [DOI] [Details] | |
| (1992) | Constructive Techniques in Music for Chinese Two-Stringed Fiddles. Jonathan P. J. Stock (1992) Constructive Techniques in Music for Chinese Two-Stringed Fiddles. Articles [Details] | |
| (1993) | A Historical Account of the Chinese Two-Stringed Fiddle Erhu. Jonathan P. J. Stock (1993) A Historical Account of the Chinese Two-Stringed Fiddle Erhu. Online: Articles [Details] | |
| (1992) | Contemporary Recital Solos for the Chinese Two-Stringed Fiddle Erhu. Jonathan P. J. Stock (1992) Contemporary Recital Solos for the Chinese Two-Stringed Fiddle Erhu. London: Articles [Details] | |
| (1991) | A Phoenix Crying at Sunrise - Origins and Social Context of the Erhu. Jonathan P. J. Stock (1991) A Phoenix Crying at Sunrise - Origins and Social Context of the Erhu. Articles [Details] | |
| (1988) | The Di: A General Introduction to the Chinese Flute. Jonathan P. J. Stock (1988) The Di: A General Introduction to the Chinese Flute. Articles [Details] |
Conference Publications
| Year | Publication | |
|---|---|---|
| (2014) | Music Research International Conference Jonathan P. J. Stock (2014) Theories of Music in Everyday Life: Perspectives from Fieldwork among the Bunun Aboriginals, Taiwan . In: Chou Chun-yi eds. Music Research International Conference Chiayi, , 01-JUN-14 - 30-JUN-14 , pp.103-134 [Details] | |
| (2000) | 16th International Congress of the International Musicological Society London, 1997 Jonathan P. J. Stock (2000) Ethnomusicologies of the West: Questions of Perspective and Scope . In: David Greer eds. 16th International Congress of the International Musicological Society London, 1997 Oxford, [Details] |
Published Reports
| Year | Publication | |
|---|---|---|
| (2012) | Movement: A Conference Response. Speis: Online Bulletin of the International Council for Traditional Music Ireland. Jonathan P. J. Stock (2012) Movement: A Conference Response. Speis: Online Bulletin of the International Council for Traditional Music Ireland. ICTM Ireland, Ireland. [Details] | |
| (2001) | What's New: A Short Musical History of the Twentieth Century. Jonathan P. J. Stock (2001) What's New: A Short Musical History of the Twentieth Century. English Dance Song, London. [Details] | |
| (1997) | Conference Report. Jonathan P. J. Stock (1997) Conference Report. British Forum of Ethnomusicology, London. [Details] |
Electronic Article
| Year | Publication | |
|---|---|---|
| (2013) | Music. Jonathan P. J. Stock (2013) Music. New York: Electronic Article [Details] | |
| (1999) | Is Ethnomusicology Relevant to the Study of British Folk Music? some thoughts and key references. Jonathan P. J. Stock (1999) Is Ethnomusicology Relevant to the Study of British Folk Music? some thoughts and key references. Electronic Article [Details] |
Editorship
| Year | Publication | |
|---|---|---|
| (2014) | Ethnomusicology Forum 23 (1), 146 pp. Co-editor. Jonathan P. J. Stock (2014) Ethnomusicology Forum 23 (1), 146 pp. Co-editor. Editorship [Details] | |
| (2008) | World of Music 50 (1), 168pp.; (2), 200pp.; (3), 152pp. Jonathan P. J. Stock (2008) World of Music 50 (1), 168pp.; (2), 200pp.; (3), 152pp. Editorship [Details] | |
| (2007) | World of Music 49 (1), 232pp.; (2), 176pp.; (3), 152pp.. Co-editor. Jonathan P. J. Stock (2007) World of Music 49 (1), 232pp.; (2), 176pp.; (3), 152pp.. Co-editor. Editorship [Details] | |
| (2006) | Yearbook for Traditional Music 38 (xviii) & 190pp.. Co-editor. Jonathan P. J. Stock (2006) Yearbook for Traditional Music 38 (xviii) & 190pp.. Co-editor. Editorship [Details] | |
| (2006) | World of Music 48 (1), 168pp.; (2), 196pp.; (3), 112pp.. Co-editor. Jonathan P. J. Stock (2006) World of Music 48 (1), 168pp.; (2), 196pp.; (3), 112pp.. Co-editor. Editorship [Details] | |
| (2005) | World of Music 47 (1), 216pp.; (2), 192pp.; (3), 184pp.. Co-editor. Jonathan P. J. Stock (2005) World of Music 47 (1), 216pp.; (2), 192pp.; (3), 184pp.. Co-editor. Editorship [Details] | |
| (2004) | World of Music 46 (1), 184pp.; (2), 212pp.; (3), 224pp.. Co-editor. Jonathan P. J. Stock (2004) World of Music 46 (1), 184pp.; (2), 212pp.; (3), 224pp.. Co-editor. Editorship [Details] | |
| (2003) | World of Music 45 (1), 192pp.; (2), 196pp.; (3), 160pp.. Co-editor. Jonathan P. J. Stock (2003) World of Music 45 (1), 192pp.; (2), 196pp.; (3), 160pp.. Co-editor. Editorship [Details] | |
| (2003) | World of Music 45 (1), 149-76.. Book Reviews Editor. Jonathan P. J. Stock (2003) World of Music 45 (1), 149-76.. Book Reviews Editor. Editorship [Details] | |
| (2002) | Journal of Music in China 4 (1) & 4 (2), 262pp.. Co-editor. Jonathan P. J. Stock (2002) Journal of Music in China 4 (1) & 4 (2), 262pp.. Co-editor. Editorship [Details] | |
| (2002) | World of Music 44 (1), 153-71; (2), 177-213; (3), 171-90.. Book Reviews Editor. Jonathan P. J. Stock (2002) World of Music 44 (1), 153-71; (2), 177-213; (3), 171-90.. Book Reviews Editor. Editorship [Details] | |
| (2001) | Journal of Music in China 3 (1) & 3 (2), 312pp.. Co-editor. Jonathan P. J. Stock (2001) Journal of Music in China 3 (1) & 3 (2), 312pp.. Co-editor. Editorship [Details] | |
| (2001) | World of Music 43 (1), 182pp. Jonathan P. J. Stock (2001) World of Music 43 (1), 182pp. Editorship [Details] | |
| (2001) | World of Music 43 (1), 173-75; (2) & (3), 207-58. Book Reviews Editor. Jonathan P. J. Stock (2001) World of Music 43 (1), 173-75; (2) & (3), 207-58. Book Reviews Editor. Editorship [Details] | |
| (2000) | Journal of Music in China 2 (1) & 2 (2), 316pp.. Co-editor. Jonathan P. J. Stock (2000) Journal of Music in China 2 (1) & 2 (2), 316pp.. Co-editor. Editorship [Details] | |
| (2000) | World of Music 42 (1), 149-60; (2), 137-59; (3), 145-60.. Book Reviews Editor. Jonathan P. J. Stock (2000) World of Music 42 (1), 149-60; (2), 137-59; (3), 145-60.. Book Reviews Editor. Editorship [Details] | |
| (1999) | Journal of Music in China 1, 174pp.. Co-editor. Jonathan P. J. Stock (1999) Journal of Music in China 1, 174pp.. Co-editor. Editorship [Details] | |
| (1999) | World of Music 41 (1), 113-28; (2), 169-84; (3), 157-70.. Book Reviews Editor. Jonathan P. J. Stock (1999) World of Music 41 (1), 113-28; (2), 169-84; (3), 157-70.. Book Reviews Editor. Editorship [Details] | |
| (1998) | World of Music 40 (1), 157-63; (2), 107-22; (3), 181-202.. Book Reviews Editor. Jonathan P. J. Stock (1998) World of Music 40 (1), 157-63; (2), 107-22; (3), 181-202.. Book Reviews Editor. Editorship [Details] |
Book Reviews
| Year | Publication | |
|---|---|---|
| (2014) | Szczepanski, Beth. The Instrumental Music of Wutaishan's Buddhist Monasteries: Social and Ritual Contexts. Ashgate Publishing, Ltd., 2012. Jonathan P. J. Stock (2014) Szczepanski, Beth. The Instrumental Music of Wutaishan's Buddhist Monasteries: Social and Ritual Contexts. Ashgate Publishing, Ltd., 2012. Book Reviews [Details] | |
| (2013) | Hebert, David G., and Alexandra Kertz-Welzel, eds. Patriotism and nationalism in music education. Farnham, UK: Ashgate Publishing, Ltd., 2012. Jonathan P. J. Stock (2013) Hebert, David G., and Alexandra Kertz-Welzel, eds. Patriotism and nationalism in music education. Farnham, UK: Ashgate Publishing, Ltd., 2012. Book Reviews [Details] | |
| (2012) | Schippers, Huib. Facing the music: Shaping music education from a global perspective. Oxford University Press, 2009. Jonathan P. J. Stock (2012) Schippers, Huib. Facing the music: Shaping music education from a global perspective. Oxford University Press, 2009. Book Reviews [Details] | |
| (2008) | Lau, Frederick. Music in China: experiencing music, expressing culture. Oxford University Press, USA, 2008. Jonathan P. J. Stock (2008) Lau, Frederick. Music in China: experiencing music, expressing culture. Oxford University Press, USA, 2008. Book Reviews [Details] | |
| (2008) | Reily, Suzel Ana, ed. The Musical Human: Rethinking John Blacking's Ethnomusicology in the Twenty-first Century. Ashgate Publishing, Ltd., 2006. Jonathan P. J. Stock (2008) Reily, Suzel Ana, ed. The Musical Human: Rethinking John Blacking's Ethnomusicology in the Twenty-first Century. Ashgate Publishing, Ltd., 2006. Book Reviews [Details] | |
| (2008) | Tenzer, Michael, ed. Gamelan gong kebyar: the art of twentieth-century Balinese music. University of Chicago Press, 2000. Jonathan P. J. Stock (2008) Tenzer, Michael, ed. Gamelan gong kebyar: the art of twentieth-century Balinese music. University of Chicago Press, 2000. Book Reviews [Details] | |
| (2007) | Francois Picard. Lexique des musiques d'Asie orientale (Chine, Coree, Japon ,Vietnam). Yinyue - umak - ongaku - am nhac. (Paris: You-Feng, 2006). Jonathan P. J. Stock (2007) Francois Picard. Lexique des musiques d'Asie orientale (Chine, Coree, Japon ,Vietnam). Yinyue - umak - ongaku - am nhac. (Paris: You-Feng, 2006). Book Reviews [Details] | |
| (2006) | Campbell, Patricia Shehan. Teaching music globally: Experiencing music, expressing culture. Oxford: Oxford University Press, 2004. Jonathan P. J. Stock (2006) Campbell, Patricia Shehan. Teaching music globally: Experiencing music, expressing culture. Oxford: Oxford University Press, 2004. Book Reviews [Details] | |
| (2005) | Baranovitch, N., China's new voices: popular music, ethnicity, gender, and politics, 1978-1997. Berkley: University of California Press, 2003. Jonathan P. J. Stock (2005) Baranovitch, N., China's new voices: popular music, ethnicity, gender, and politics, 1978-1997. Berkley: University of California Press, 2003. Book Reviews [Details] | |
| (2005) | Everett, Yayoi Uno, and Frederick Lau, eds. Locating East Asia in Western Art Music. Middletown, CT: Wesleyan University Press, 2004. Jonathan P. J. Stock (2005) Everett, Yayoi Uno, and Frederick Lau, eds. Locating East Asia in Western Art Music. Middletown, CT: Wesleyan University Press, 2004. Book Reviews [Details] | |
| (2004) | Samuel Wong Shengmiao. An Impression of the Pipa: A Recording in 24 Hrs [CD] and Impressions of a Pipa Player [book]. Singapore: Ngee Ann Polytechnic, 2003. Jonathan P. J. Stock (2004) Samuel Wong Shengmiao. An Impression of the Pipa: A Recording in 24 Hrs [CD] and Impressions of a Pipa Player [book]. Singapore: Ngee Ann Polytechnic, 2003. Book Reviews [Details] | |
| (2003) | Bela Bartok, Turkish Folk Music from Asia Minor, rev. ed.. Homosassa, FL: Bartok Records, 2001. Jonathan P. J. Stock (2003) Bela Bartok, Turkish Folk Music from Asia Minor, rev. ed.. Homosassa, FL: Bartok Records, 2001. Book Reviews [Details] | |
| (2003) | Russell, Melinda, ed. In the course of performance: Studies in the world of musical improvisation. Chicago: University of Chicago Press, 1998. Jonathan P. J. Stock (2003) Russell, Melinda, ed. In the course of performance: Studies in the world of musical improvisation. Chicago: University of Chicago Press, 1998. Book Reviews [Details] | |
| (2003) | Pat Mackenzie and Jim Carroll, From Punk to Appleby: Songs of Irish Travellers in England. Musical Traditions MTCD325-6 (2003). 2CDs (79'23, 78'21) and 36 pp. booklet. Jonathan P. J. Stock (2003) Pat Mackenzie and Jim Carroll, From Punk to Appleby: Songs of Irish Travellers in England. Musical Traditions MTCD325-6 (2003). 2CDs (79'23, 78'21) and 36 pp. booklet. Book Reviews [Details] | |
| (2003) | Yes Lenoir, chief ed., Archives Bela Bartok de Belgique: Fonds Denijs Dille. Brussels: Bibliotheque royale de Belgique, 2002. Jonathan P. J. Stock (2003) Yes Lenoir, chief ed., Archives Bela Bartok de Belgique: Fonds Denijs Dille. Brussels: Bibliotheque royale de Belgique, 2002. Book Reviews [Details] | |
| (2002) | Aubert, L., La musique de l'autre: les nouveaux défis de l'ethnomusicologie. Geneva: Georg éditeur, 2001. Jonathan P. J. Stock (2002) Aubert, L., La musique de l'autre: les nouveaux défis de l'ethnomusicologie. Geneva: Georg éditeur, 2001. Book Reviews [Details] | |
| (2002) | Fletcher, Peter. World musics in context: a comprehensive survey of the world's major musical cultures. Oxford: Oxford University Press, 2001. Jonathan P. J. Stock (2002) Fletcher, Peter. World musics in context: a comprehensive survey of the world's major musical cultures. Oxford: Oxford University Press, 2001. Book Reviews [Details] | |
| (2002) | Radano, Ronald M., and Philip V. Bohlman, eds. Music and the racial imagination. University of Chicago Press, 2000. Jonathan P. J. Stock (2002) Radano, Ronald M., and Philip V. Bohlman, eds. Music and the racial imagination. University of Chicago Press, 2000. Book Reviews [Details] | |
| (2002) | Rees, Helen. Echoes of history: Naxi music in modern China. Oxford University Press, 2000. Jonathan P. J. Stock (2002) Rees, Helen. Echoes of history: Naxi music in modern China. Oxford University Press, 2000. Book Reviews [Details] | |
| (2002) | Shaw, Lisa. The social history of the Brazilian samba. Aldershot,, UK: Ashgate, 1999. Jonathan P. J. Stock (2002) Shaw, Lisa. The social history of the Brazilian samba. Aldershot,, UK: Ashgate, 1999. Book Reviews [Details] | |
| (2002) | Villalobos, Francisco Cruces. Las culturas musicales: lecturas de etnomusicología. Trotta, 2001. Jonathan P. J. Stock (2002) Villalobos, Francisco Cruces. Las culturas musicales: lecturas de etnomusicología. Trotta, 2001. Book Reviews [Details] | |
| (2002) | Erenberg, Lewis A. Swingin'the Dream: Big Band Jazz and the Rebirth of American Culture. Chicago: University of Chicago Press, 1999. Jonathan P. J. Stock (2002) Erenberg, Lewis A. Swingin'the Dream: Big Band Jazz and the Rebirth of American Culture. Chicago: University of Chicago Press, 1999. Book Reviews [Details] | |
| (2001) | Jenny, F. S., ed. Music in the Age of Confucius. Freer Gallery of Art and Arthur M. Sackler Gallery, 2000. Jonathan P. J. Stock (2001) Jenny, F. S., ed. Music in the Age of Confucius. Freer Gallery of Art and Arthur M. Sackler Gallery, 2000. Book Reviews [Details] | |
| (2001) | Shelemay, Kay Kaufman. Let jasmine rain down: Song and remembrance among Syrian Jews. Vol. 1. University of Chicago Press, 1998. Jonathan P. J. Stock (2001) Shelemay, Kay Kaufman. Let jasmine rain down: Song and remembrance among Syrian Jews. Vol. 1. University of Chicago Press, 1998. Book Reviews [Details] | |
| (2001) | Mariana Sadovska: Songs I Learned in Ukraine (Global Village CD 819). Jonathan P. J. Stock (2001) Mariana Sadovska: Songs I Learned in Ukraine (Global Village CD 819). Book Reviews [Details] | |
| (2001) | Erevan Armenian Music Ensemble: My Heart for You (Eem Seerdl Yarees) - Kef Music from the Armenian Community of Michigan (Global Village CD 818). Jonathan P. J. Stock (2001) Erevan Armenian Music Ensemble: My Heart for You (Eem Seerdl Yarees) - Kef Music from the Armenian Community of Michigan (Global Village CD 818). Book Reviews [Details] | |
| (2000) | Kisliuk, Michelle Robin. Seize the dance!: BaAka musical life and the ethnography of performance. Vol. 1. Oxford University Press, 1998. Jonathan P. J. Stock (2000) Kisliuk, Michelle Robin. Seize the dance!: BaAka musical life and the ethnography of performance. Vol. 1. Oxford University Press, 1998. Book Reviews [Details] | |
| (2000) | Yung, Bell, and Helen Rees, eds. Understanding Charles Seeger, pioneer in American musicology. University of Illinois Press, 1999. Jonathan P. J. Stock (2000) Yung, Bell, and Helen Rees, eds. Understanding Charles Seeger, pioneer in American musicology. University of Illinois Press, 1999. Book Reviews [Details] | |
| (1999) | Chang, Kevin O'Brien, and Wayne Chen. Reggae routes: the story of Jamaican music. Philadelphia: Temple University Press, 1998. Jonathan P. J. Stock (1999) Chang, Kevin O'Brien, and Wayne Chen. Reggae routes: the story of Jamaican music. Philadelphia: Temple University Press, 1998. Book Reviews [Details] | |
| (1999) | Hargreaves, David J., and Adrian C. North. The social psychology of music. Oxford: Oxford University Press, 1997. Jonathan P. J. Stock (1999) Hargreaves, David J., and Adrian C. North. The social psychology of music. Oxford: Oxford University Press, 1997. Book Reviews [Details] | |
| (1999) | Kemp, Anthony E. The musical temperament: Psychology and personality of musicians. Oxford University Press, 1996. Jonathan P. J. Stock (1999) Kemp, Anthony E. The musical temperament: Psychology and personality of musicians. Oxford University Press, 1996. Book Reviews [Details] | |
| (1999) | Danielson, Virginia. The Voice of Egypt: Umm Kulthum. Arabic Song, and Egyptian Society in the Twentieth Century (Chicago: University of Chicago Press, 1997). Jonathan P. J. Stock (1999) Danielson, Virginia. The Voice of Egypt: Umm Kulthum. Arabic Song, and Egyptian Society in the Twentieth Century (Chicago: University of Chicago Press, 1997). Book Reviews [Details] | |
| (1999) | Karolyi, Otto. Traditional African and Oriental Music. Penguin Group USA, 1998. Jonathan P. J. Stock (1999) Karolyi, Otto. Traditional African and Oriental Music. Penguin Group USA, 1998. Book Reviews [Details] | |
| (1999) | DeVault, Marjorie L. Liberating method: Feminism and social research. Philadelphia: Temple University Press, 1999. Jonathan P. J. Stock (1999) DeVault, Marjorie L. Liberating method: Feminism and social research. Philadelphia: Temple University Press, 1999. Book Reviews [Details] | |
| (1999) | Mason, Peter. Bacchanal!: The Carnival Culture of Trinidad. Philadelphia: Temple University Press, 1998. Jonathan P. J. Stock (1999) Mason, Peter. Bacchanal!: The Carnival Culture of Trinidad. Philadelphia: Temple University Press, 1998. Book Reviews [Details] | |
| (1999) | Lundquist, Barbara Reeder, and C. K. Szego, eds. Musics of the world's cultures: a source book for music educators. Published by the Callaway International Resource Centre for Music Education (CIRCME) for the International Society for Music Education (ISME), 1998. Jonathan P. J. Stock (1999) Lundquist, Barbara Reeder, and C. K. Szego, eds. Musics of the world's cultures: a source book for music educators. Published by the Callaway International Resource Centre for Music Education (CIRCME) for the International Society for Music Education (ISME), 1998. Book Reviews [Details] | |
| (1999) | Pian, Rulan Chao, Bell Yung, and Joseph Sui Ching Lam. Themes and variations: writings on music in honor of Rulan Chao Pian. Vol. 1. Harvard Univ Pr, 1994. Jonathan P. J. Stock (1999) Pian, Rulan Chao, Bell Yung, and Joseph Sui Ching Lam. Themes and variations: writings on music in honor of Rulan Chao Pian. Vol. 1. Harvard Univ Pr, 1994. Book Reviews [Details] | |
| (1998) | Berliner, P. F., Thinking in jazz: The infinite art of improvisation. Chicago: University of Chicago Press, 1994. Jonathan P. J. Stock (1998) Berliner, P. F., Thinking in jazz: The infinite art of improvisation. Chicago: University of Chicago Press, 1994. Book Reviews [Details] | |
| (1998) | China - Time to Listen (Ellipsis ELLICD3590). Jonathan P. J. Stock (1998) China - Time to Listen (Ellipsis ELLICD3590). Book Reviews [Details] | |
| (1998) | Music of China: The Deben Bhattacharya Collection, 1 (Fremeaux FA061). Jonathan P. J. Stock (1998) Music of China: The Deben Bhattacharya Collection, 1 (Fremeaux FA061). Book Reviews [Details] | |
| (1998) | Picken, Laurence Ernest Rowland, ed. Music from the Tang Court. 6. Vol. 6. Cambridge University Press, 1997. Jonathan P. J. Stock (1998) Picken, Laurence Ernest Rowland, ed. Music from the Tang Court. 6. Vol. 6. Cambridge University Press, 1997. Book Reviews [Details] | |
| (1998) | Schimmelpenninck, Antoinet. Chinese folk songs and folk singers: Shan'ge traditions in southern Jiangsu. Leiden: Chime Foundation, 1997. Jonathan P. J. Stock (1998) Schimmelpenninck, Antoinet. Chinese folk songs and folk singers: Shan'ge traditions in southern Jiangsu. Leiden: Chime Foundation, 1997. Book Reviews [Details] | |
| (1998) | Yung, Bell, ed. Celestial airs of antiquity: music of the seven-string zither of China. Vol. 1. AR Editions, Inc., 1997. Jonathan P. J. Stock (1998) Yung, Bell, ed. Celestial airs of antiquity: music of the seven-string zither of China. Vol. 1. AR Editions, Inc., 1997. Book Reviews [Details] | |
| (1997) | Agawu, V. K., African rhythm: a Northern Ewe perspective. Cambridge: Cambridge University Press, 1995. Jonathan P. J. Stock (1997) Agawu, V. K., African rhythm: a Northern Ewe perspective. Cambridge: Cambridge University Press, 1995. Book Reviews [Details] | |
| (1997) | Ottenberg, Simon. Seeing with music: the lives of 3 blind African musicians. Seattle:University of Washington Press, 1996. Jonathan P. J. Stock (1997) Ottenberg, Simon. Seeing with music: the lives of 3 blind African musicians. Seattle:University of Washington Press, 1996. Book Reviews [Details] | |
| (1997) | Yung, Bell, Evelyn Sakakida Rawski, and Rubie Sharon Watson, eds. Harmony and Counterpoint: Ritual Music in Chinese Context. Stanford University Press, 1996. Jonathan P. J. Stock (1997) Yung, Bell, Evelyn Sakakida Rawski, and Rubie Sharon Watson, eds. Harmony and Counterpoint: Ritual Music in Chinese Context. Stanford University Press, 1996. Book Reviews [Details] | |
| (1996) | Jones, Stephen. Folk music of China: Living instrumental traditions. (1995). Jonathan P. J. Stock (1996) Jones, Stephen. Folk music of China: Living instrumental traditions. (1995). Book Reviews [Details] | |
| (1996) | Wu Man and Ensemble (Nimbus NI 5477). Jonathan P. J. Stock (1996) Wu Man and Ensemble (Nimbus NI 5477). Book Reviews [Details] | |
| (1996) | Witzleben, John Lawrence. Silk and Bamboo Music in Shanghai: The Jiangnan Sizhu Instrumental Ensemble Tradition. Kent State University Press, 1995. Jonathan P. J. Stock (1996) Witzleben, John Lawrence. Silk and Bamboo Music in Shanghai: The Jiangnan Sizhu Instrumental Ensemble Tradition. Kent State University Press, 1995. Book Reviews [Details] | |
| (1995) | Byron, R., Music, culture, and experience: Selected papers of John Blacking. Chicago: Chicago University Press, 1995. Jonathan P. J. Stock (1995) Byron, R., Music, culture, and experience: Selected papers of John Blacking. Chicago: Chicago University Press, 1995. Book Reviews [Details] | |
| (1995) | Jones, Andrew. Like a knife: Ideology and genre in contemporary Chinese popular music. Ithaca, NY (1992). Jonathan P. J. Stock (1995) Jones, Andrew. Like a knife: Ideology and genre in contemporary Chinese popular music. Ithaca, NY (1992). Book Reviews [Details] | |
| (1994) | Daniel Chazanoff, Music of the Native North American for the Flute or Recorder (Brasstown, NC: Susato press, 1990) & Native AmericanMusic in Seven Volumes for the Flute or Recorder with Drum/Rattle ad. Lib, Vol.1 (Brasstown, NC: Susato, 1993). Jonathan P. J. Stock (1994) Daniel Chazanoff, Music of the Native North American for the Flute or Recorder (Brasstown, NC: Susato press, 1990) & Native AmericanMusic in Seven Volumes for the Flute or Recorder with Drum/Rattle ad. Lib, Vol.1 (Brasstown, NC: Susato, 1993). Book Reviews [Details] | |
| (1994) | World Music CDs. Jonathan P. J. Stock (1994) World Music CDs. Book Reviews [Details] | |
| (1993) | Yang, Mu, et al. Chinese musical instruments: an introduction. Australian National University (Canberra), 1993. Jonathan P. J. Stock (1993) Yang, Mu, et al. Chinese musical instruments: an introduction. Australian National University (Canberra), 1993. Book Reviews [Details] | |
| (1993) | Wichmann, Elizabeth. Listening to theatre: the aural dimension of Beijing opera. University of Hawaii Press, 1991. Jonathan P. J. Stock (1993) Wichmann, Elizabeth. Listening to theatre: the aural dimension of Beijing opera. University of Hawaii Press, 1991. Book Reviews [Details] | |
| (1993) | World Music CD. Jonathan P. J. Stock (1993) World Music CD. Book Reviews [Details] | |
| (1989) | Yung, Bell. Cantonese opera: performance as creative process. Cambridge University Press, 1989. Jonathan P. J. Stock (1989) Yung, Bell. Cantonese opera: performance as creative process. Cambridge University Press, 1989. Book Reviews [Details] |
Encyclopedia Entries
| Year | Publication | |
|---|---|---|
| (1998) | World Music. Jonathan P. J. Stock (1998) World Music. Oxford:Oxford University Press. Encyclopedia Entries. [Details] | |
| (1997) | Music in China 2, Music in China 3. Jonathan P. J. Stock (1997) Music in China 2, Music in China 3. . Encyclopedia Entries. [Details] | |
| (1996) | Music in China 1, Why Study World music?. Jonathan P. J. Stock (1996) Music in China 1, Why Study World music?. . Encyclopedia Entries. [Details] |
Figure
| Year | Publication | |
|---|---|---|
| (2006) | Photographs in Chou Chiener Cong shishen dao guojia de yinyue: Taiean nanguan de chuatong yu bianqian. Jonathan P. J. Stock (2006) Photographs in Chou Chiener Cong shishen dao guojia de yinyue: Taiean nanguan de chuatong yu bianqian. Taipei: Figure [Details] | |
| (1999) | Photographs of Chinese instruments and musicians in The Strad 110 (1312. Jonathan P. J. Stock (1999) Photographs of Chinese instruments and musicians in The Strad 110 (1312. Figure [Details] |
Invited papers
| Year | Publication | |
|---|---|---|
| (2007) | Musical Traditions and Genres. Jonathan P. J. Stock (2007) Musical Traditions and Genres. London: Invited papers [Details] | |
| (1989) | Chinese Music I. Jonathan P. J. Stock (1989) Chinese Music I. Invited papers [Details] |
Magazine article
| Year | Publication | |
|---|---|---|
| (1995) | East Meets West. Jonathan P. J. Stock (1995) East Meets West. Magazine article [Details] |
Other
| Year | Publication | |
|---|---|---|
| (2006) | Interviewer. Ethnographe, archiviste, producteur, activiste... Les nombreuses vies d'un anthropologue musical: Entretien avec Anthony Seeger. Jonathan P. J. Stock (2006) Interviewer. Ethnographe, archiviste, producteur, activiste... Les nombreuses vies d'un anthropologue musical: Entretien avec Anthony Seeger. Other [Details] | |
| (2003) | Introduction, to Chinese edition of Nigel Barley, The Innocent Anthropologist: Notes from a Mud Hut. Jonathan P. J. Stock (2003) Introduction, to Chinese edition of Nigel Barley, The Innocent Anthropologist: Notes from a Mud Hut. Taipei: Other [Details] | |
| (1999) | Global Sounds, Global Village?. Jonathan P. J. Stock (1999) Global Sounds, Global Village?. Edinburg: Other [Details] | |
| (1998) | The Dent Medal. Jonathan P. J. Stock (1998) The Dent Medal. Other [Details] | |
| (1998) | British Forum for Ethnomusicology. Jonathan P. J. Stock (1998) British Forum for Ethnomusicology. Other [Details] | |
| (1996) | China. Jonathan P. J. Stock (1996) China. Other [Details] |
Music score
| Year | Publication | |
|---|---|---|
| (2008) | Contributions of eight Chinese, Malay and Indonesian songs to The ABRSM Songbook: Selected pieces and Traditional Songs in Five Volumes. Jonathan P. J. Stock (2008) Contributions of eight Chinese, Malay and Indonesian songs to The ABRSM Songbook: Selected pieces and Traditional Songs in Five Volumes. Music score [Details] |
Newsletter
| Year | Publication | |
|---|---|---|
| (2004) | Beethoven is Rubbish: It's Official. Jonathan P. J. Stock (2004) Beethoven is Rubbish: It's Official. Newsletter [Details] | |
| (2002) | Voice of a Woman Wronged: The Continuing Role of Traditional Opera in Shanghai. Jonathan P. J. Stock (2002) Voice of a Woman Wronged: The Continuing Role of Traditional Opera in Shanghai. Sheffield: Newsletter [Details] | |
| (2001) | A Second Ethnomusicologist?! But We Don't Have French Baroque: Peripheral Music, Peripheral People, Or Does Our Dis. Lack Penetrative Power?. Jonathan P. J. Stock (2001) A Second Ethnomusicologist?! But We Don't Have French Baroque: Peripheral Music, Peripheral People, Or Does Our Dis. Lack Penetrative Power?. Newsletter [Details] | |
| (2000) | Who Owns the Game? ... Who Plays the Tune?: A Reply to Mike Yates. Jonathan P. J. Stock (2000) Who Owns the Game? ... Who Plays the Tune?: A Reply to Mike Yates. Newsletter [Details] | |
| (1999) | News from Sheffield. Jonathan P. J. Stock (1999) News from Sheffield. Newsletter [Details] | |
| (1998) | Recent Durham Ethnomusicology Activities. Jonathan P. J. Stock (1998) Recent Durham Ethnomusicology Activities. Newsletter [Details] | |
| (1996) | Letter. Jonathan P. J. Stock (1996) Letter. Newsletter [Details] | |
| (1994) | Letter. Jonathan P. J. Stock (1994) Letter. Newsletter [Details] | |
| (1994) | Ethnomusicology at Durham. Jonathan P. J. Stock (1994) Ethnomusicology at Durham. Newsletter [Details] | |
| (1993) | Ethnomusicology and Critical Musicology. Jonathan P. J. Stock (1993) Ethnomusicology and Critical Musicology. Newsletter [Details] | |
| (1993) | A Response to Derek Scott. Jonathan P. J. Stock (1993) A Response to Derek Scott. Newsletter [Details] | |
| (1993) | Results of Survey of Ethnomusicological Texts. Jonathan P. J. Stock (1993) Results of Survey of Ethnomusicological Texts. Newsletter [Details] |
Programme Note
| Year | Publication | |
|---|---|---|
| (2013) | Jingju: A Classical Genre and A Glossary of Instruments. King Lear. Jonathan P. J. Stock (2013) Jingju: A Classical Genre and A Glossary of Instruments. King Lear. Edinburg: Programme Note [Details] | |
| (2012) | Xianzu and Kun Opera. The Peony Pavilion. Jonathan P. J. Stock (2012) Xianzu and Kun Opera. The Peony Pavilion. Melbourne: Programme Note [Details] | |
| (2011) | Xianzu and Kun Opera. The Peony Pavilion. Jonathan P. J. Stock (2011) Xianzu and Kun Opera. The Peony Pavilion. Edinburg: Programme Note [Details] | |
| (2011) | Jingju: A Classical Genre and A Glossary of Instruments. The Revenge of Prince Zi Dan. Jonathan P. J. Stock (2011) Jingju: A Classical Genre and A Glossary of Instruments. The Revenge of Prince Zi Dan. Edinburg: Programme Note [Details] | |
| (2011) | An Introduction to Jingju and A Glossary of Instruments. King Lear. Jonathan P. J. Stock (2011) An Introduction to Jingju and A Glossary of Instruments. King Lear. Edinburg: Programme Note [Details] | |
| (2008) | Opera in China on the Eve of the Mongol Invasion. Judith Weir's A Night at the Chinese Opera. Jonathan P. J. Stock (2008) Opera in China on the Eve of the Mongol Invasion. Judith Weir's A Night at the Chinese Opera. Glasgow: Programme Note [Details] | |
| (2004) | Der Musikalische Austausch der Kulturen. MaerzMusik: Festival fur aktuelle Musik. Jonathan P. J. Stock (2004) Der Musikalische Austausch der Kulturen. MaerzMusik: Festival fur aktuelle Musik. Berlin: Programme Note [Details] |
Bibliography
| Year | Publication | |
|---|---|---|
| (2018) | Music in China in Oxford Bibliographies in Chinese Studies. Jonathan P.J. Stock (2018) Music in China in Oxford Bibliographies in Chinese Studies. Oxford: Bibliography [DOI] [Details] |
Translations
| Year | Publication | |
|---|---|---|
| (2000) | Translation of Peng Benle, Jiang Yuequan, Xu Lixian, and Zhang Jianting. Revised New Grove Dictionary of Music and Musicians. Jonathan P. J. Stock (2000) Translation of Peng Benle, Jiang Yuequan, Xu Lixian, and Zhang Jianting. Revised New Grove Dictionary of Music and Musicians. London: Translations [Details] | |
| (1999) | Translation of and Commentary on Shen Qia, Ethnomusicology in China. Jonathan P. J. Stock (1999) Translation of and Commentary on Shen Qia, Ethnomusicology in China. Translations [Details] | |
| (1993) | Translation of Qiao Jianzhong, The Current Situation Regarding the Teaching of Ethnomusicology in China. Jonathan P. J. Stock (1993) Translation of Qiao Jianzhong, The Current Situation Regarding the Teaching of Ethnomusicology in China. Translations [Details] | |
| (1992) | Translation of Dai Xiaolian, Robert van Gulik and the Guqin Scores of the Sinological Institute, Leiden. Jonathan P. J. Stock (1992) Translation of Dai Xiaolian, Robert van Gulik and the Guqin Scores of the Sinological Institute, Leiden. Translations [Details] |
Chart or Table
| Year | Publication | |
|---|---|---|
| (2004) | KS3: World Scales. Jonathan P. J. Stock (2004) KS3: World Scales. London: Chart or Table [Details] |
Note
| Year | Publication | |
|---|---|---|
| (2006) | Preface. Yearbook for Traditional Music 38. Jonathan P. J. Stock; Svanibor Pettan (2006) Preface. Yearbook for Traditional Music 38. Note [Details] |
Professional Activities
Conference Contributions
| Year | Publication | |
|---|---|---|
| (2014) | ICTM Ireland, Jonathan P. J. Stock (2014) Attended. [Other], ICTM Ireland, Galway , 06-FEB-14. [Details] | |
| (2013) | Berlin Brandenburg International School Conference on Music Baccalaureate, Jonathan P. J. Stock (2013) Invited Speaker on World Music. [Invited Oral Presentation], Berlin Brandenburg International School Conference on Music Baccalaureate, Berlin , 01-OCT-13. [Details] | |
| (2013) | ICTM, Jonathan P. J. Stock (2013) Panel Chair & Paper Presentation. [Other], ICTM, Shanghai , 01-APR-13. [Details] | |
| (2013) | Chinese Music Historiography Conference, Jonathan P. J. Stock (2013) Keynote Speaker & Session Chair. [Other], Chinese Music Historiography Conference, Hong Kong , 01-APR-13. [Details] | |
| (2013) | ICTM Ireland and BFE (British Forum for Ethnomusicology) joint conference, Jonathan P. J. Stock (2013) Attended. [Other], ICTM Ireland and BFE (British Forum for Ethnomusicology) joint conference, Belfast , 15-APR-13. [Details] | |
| (2013) | Societ for Musicology, Ireland Students Conference, Jonathan P. J. Stock (2013) Invited to launch new issue of Studies of Music in Ireland. [Other], Societ for Musicology, Ireland Students Conference, Ireland , 01-FEB-13. [Details] | |
| (2012) | ICTM Applied Ethnomusicology Study Group, Jonathan P. J. Stock (2012) Session Chair and Paper Presentation. [Other], ICTM Applied Ethnomusicology Study Group, Nicosia , 01-APR-12. [Details] | |
| (2012) | ICTM Ireland, Jonathan P. J. Stock (2012) Session Chair and Invited Response to Conference as a Whole. [Other], ICTM Ireland, Dublin , 01-FEB-12. [Details] | |
| (2012) | Workshop Relationships of Speech Tone and Music, Austria Academy of Sciences, Jonathan P. J. Stock (2012) Keynote Speaker, Respondent and Paper Presenter. [Other], Workshop Relationships of Speech Tone and Music, Austria Academy of Sciences, Vienna , 01-JUL-12. [Details] | |
| (2011) | Music and Sustainability, Jonathan P. J. Stock (2011) Session Chair. [Other], Music and Sustainability, Brisbane , 01-MAY-11. [Details] | |
| (2010) | BFE, Jonathan P. J. Stock (2010) Session Chair. [Other], BFE, Oxford , 01-APR-10. [Details] | |
| (2010) | BFE, Jonathan P. J. Stock (2010) Paper Presentation. [Oral Presentation], BFE, London , 01-NOV-10. [Details] | |
| (2010) | Encounters II Symposium, Jonathan P. J. Stock (2010) Keynote Speaker and Paper Presenter. [Other], Encounters II Symposium, Brisbane , 01-MAY-10. [Details] | |
| (2009) | Henry Sweet Society Colloquium in the History of Linguistic Ideas, Jonathan P. J. Stock (2009) Paper Presentation. [Other], Henry Sweet Society Colloquium in the History of Linguistic Ideas, Oxford . [Details] | |
| (2009) | BFE, Jonathan P. J. Stock (2009) Attended. [Other], BFE, London . [Details] | |
| (2009) | RMA (Royal Musical Association) Research Students Conference, Jonathan P. J. Stock (2009) Invited Panelist and Paper Presenter. [Other], RMA (Royal Musical Association) Research Students Conference, London . [Details] | |
| (2008) | Traditional Song Forum, Jonathan P. J. Stock (2008) Host. [Other], Traditional Song Forum, Sheffield . [Details] | |
| (2007) | ICTM, Jonathan P. J. Stock (2007) Session Chair and Paper Presenter. [Other], ICTM, Vienna . [Details] | |
| (2007) | RMA Research Students Conference, Jonathan P. J. Stock (2007) Invited Panelist and Paper Presenter. [Other], RMA Research Students Conference, Bristol . [Details] | |
| (2006) | Shangai's Soundscapes 1917-46, Jonathan P. J. Stock (2006) Workshop Participant and Paper Presenter. [Other], Shangai's Soundscapes 1917-46, Bristol . [Details] | |
| (2006) | RMA, Jonathan P. J. Stock (2006) Session Chair. [Other], RMA, Nottingham . [Details] | |
| (2006) | ICTM Colloquium on Applied Ethnomusicology, Jonathan P. J. Stock (2006) Invited Speakers and Paper Presenter. [Other], ICTM Colloquium on Applied Ethnomusicology, Ljubljana . [Details] | |
| (2006) | Arts and Culture in Colonial City, Jonathan P. J. Stock (2006) Attended. [Other], Arts and Culture in Colonial City, Bristol . [Details] | |
| (2006) | RMA Research Students Conference, Jonathan P. J. Stock (2006) Invited Panelist and Paper Presentation. [Other], RMA Research Students Conference, Leeds . [Details] | |
| (2006) | BFE & Counter-Narratives Conference, Jonathan P. J. Stock (2006) Panel Chair and Paper Presenter. [Other], BFE & Counter-Narratives Conference, Winchester . [Details] | |
| (2006) | NAMHE, Jonathan P. J. Stock (2006) Attended. [Other], NAMHE, Wolverhampton . [Details] | |
| (2005) | 10th European Ethnology Conference, Jonathan P. J. Stock (2005) Local Host and Session Chair. [Other], 10th European Ethnology Conference, Sheffield . [Details] | |
| (2005) | SEM (Society of Ethnomusicology), Jonathan P. J. Stock (2005) Session Chair and Paper Presenter. [Other], SEM (Society of Ethnomusicology), Atlanta . [Details] | |
| (2005) | RMA study day on music iconography, Jonathan P. J. Stock (2005) Local Organiser. [Other], RMA study day on music iconography, Sheffield . [Details] | |
| (2005) | ICTM, Jonathan P. J. Stock (2005) Local Organiser and Session Chair. [Other], ICTM, Sheffield . [Details] | |
| (2005) | The Local, Regional and Global in Popular Music Cultures, Jonathan P. J. Stock (2005) Attended. [Other], The Local, Regional and Global in Popular Music Cultures, Copenhagen . [Details] | |
| (2005) | BFE, Jonathan P. J. Stock (2005) Attended. [Other], BFE, London . [Details] |