Dr Danijela Kulezic-Wilson PhD
My interest in comparative arts, mainly approaches to film that emphasize its inherent musical properties, has inspired my
research within the conceptual framework I call musical poetics of film. I am also interested in the musicality of film sound design, the use of musique concrète and silence in film, as well as the musicality of theatre and musical aspects of Beckett's plays. My publications include
essays on film rhythm, musical and film time, the musical use of silence in film, Darren Aronofsky's Pi, P.T. Anderson's Magnolia, Prokofiev's music for Eisenstein's films, Jim Jarmusch's Dead Man, Peter Strickland's Katalin Varga, Gus Van Sant's Death Trilogy and the musicality of Beckett's Play.