IRIS publication 241504804
Musical and Film Time
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TY - JOUR - Kulezic-Wilson, D. - 2008 - Unknown - Journal of Musicology - Musical and Film Time - Published - () - musical time; film time; linear/non-linear time multitemporality - 8 - 253 - 271 - The comparative analysis of linear, non-linear and multiple temporal dimensions in music and film reveals that the understanding and utilisation of time in these two arts reflect not only the aesthetic inclinations of its creators and their subjective experiences of temporality but also their philosophical views and, sometimes, spiritual beliefs. Viewed in the context of contemporary theories about Time, particularly Shallis’ interpretation of different temporalities as symbolic of various levels of reality and J. T. Fraser’s concept of time as a hierarchical nest of different temporalities or Umwelts, the results of this comparison lead to the conclusion that the time in which music and film unfold belongs to a separate, artificial Umwelt of its own – art-temporality. - Belgrade - 1450-9814 DA - 2008/NaN ER -
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@article{V241504804, = {Kulezic-Wilson, D. }, = {2008}, = {Unknown}, = {Journal of Musicology}, = {Musical and Film Time}, = {Published}, = {()}, = {musical time; film time; linear/non-linear time multitemporality}, = {8}, pages = {253--271}, = {{The comparative analysis of linear, non-linear and multiple temporal dimensions in music and film reveals that the understanding and utilisation of time in these two arts reflect not only the aesthetic inclinations of its creators and their subjective experiences of temporality but also their philosophical views and, sometimes, spiritual beliefs. Viewed in the context of contemporary theories about Time, particularly Shallis’ interpretation of different temporalities as symbolic of various levels of reality and J. T. Fraser’s concept of time as a hierarchical nest of different temporalities or Umwelts, the results of this comparison lead to the conclusion that the time in which music and film unfold belongs to a separate, artificial Umwelt of its own – art-temporality.}}, = {Belgrade}, issn = {1450-9814}, source = {IRIS} }
Data as stored in IRIS
AUTHORS | Kulezic-Wilson, D. | ||
YEAR | 2008 | ||
MONTH | Unknown | ||
JOURNAL_CODE | Journal of Musicology | ||
TITLE | Musical and Film Time | ||
STATUS | Published | ||
TIMES_CITED | () | ||
SEARCH_KEYWORD | musical time; film time; linear/non-linear time multitemporality | ||
VOLUME | |||
ISSUE | 8 | ||
START_PAGE | 253 | ||
END_PAGE | 271 | ||
ABSTRACT | The comparative analysis of linear, non-linear and multiple temporal dimensions in music and film reveals that the understanding and utilisation of time in these two arts reflect not only the aesthetic inclinations of its creators and their subjective experiences of temporality but also their philosophical views and, sometimes, spiritual beliefs. Viewed in the context of contemporary theories about Time, particularly Shallis’ interpretation of different temporalities as symbolic of various levels of reality and J. T. Fraser’s concept of time as a hierarchical nest of different temporalities or Umwelts, the results of this comparison lead to the conclusion that the time in which music and film unfold belongs to a separate, artificial Umwelt of its own – art-temporality. | ||
PUBLISHER_LOCATION | Belgrade | ||
ISBN_ISSN | 1450-9814 | ||
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