Musical and Film Time

Typeset version

 

TY  - JOUR
  - Kulezic-Wilson, D.
  - 2008
  - Unknown
  - Journal of Musicology
  - Musical and Film Time
  - Published
  - ()
  - musical time; film time; linear/non-linear time multitemporality
  - 8
  - 253
  - 271
  - The comparative analysis of linear, non-linear and multiple temporal dimensions in music and film reveals that the understanding and utilisation of time in these two arts reflect not only the aesthetic inclinations of its creators and their subjective experiences of temporality but also their philosophical views and, sometimes, spiritual beliefs. Viewed in the context of contemporary theories about Time, particularly Shallis’ interpretation of different temporalities as symbolic of various levels of reality and J. T. Fraser’s concept of time as a hierarchical nest of different temporalities or Umwelts, the results of this comparison lead to the conclusion that the time in which music and film unfold belongs to a separate, artificial Umwelt of its own – art-temporality.
  - Belgrade
  - 1450-9814
DA  - 2008/NaN
ER  - 
@article{V241504804,
   = {Kulezic-Wilson,  D. },
   = {2008},
   = {Unknown},
   = {Journal of Musicology},
   = {Musical and Film Time},
   = {Published},
   = {()},
   = {musical time; film time; linear/non-linear time multitemporality},
   = {8},
  pages = {253--271},
   = {{The comparative analysis of linear, non-linear and multiple temporal dimensions in music and film reveals that the understanding and utilisation of time in these two arts reflect not only the aesthetic inclinations of its creators and their subjective experiences of temporality but also their philosophical views and, sometimes, spiritual beliefs. Viewed in the context of contemporary theories about Time, particularly Shallis’ interpretation of different temporalities as symbolic of various levels of reality and J. T. Fraser’s concept of time as a hierarchical nest of different temporalities or Umwelts, the results of this comparison lead to the conclusion that the time in which music and film unfold belongs to a separate, artificial Umwelt of its own – art-temporality.}},
   = {Belgrade},
  issn = {1450-9814},
  source = {IRIS}
}
AUTHORSKulezic-Wilson, D.
YEAR2008
MONTHUnknown
JOURNAL_CODEJournal of Musicology
TITLEMusical and Film Time
STATUSPublished
TIMES_CITED()
SEARCH_KEYWORDmusical time; film time; linear/non-linear time multitemporality
VOLUME
ISSUE8
START_PAGE253
END_PAGE271
ABSTRACTThe comparative analysis of linear, non-linear and multiple temporal dimensions in music and film reveals that the understanding and utilisation of time in these two arts reflect not only the aesthetic inclinations of its creators and their subjective experiences of temporality but also their philosophical views and, sometimes, spiritual beliefs. Viewed in the context of contemporary theories about Time, particularly Shallis’ interpretation of different temporalities as symbolic of various levels of reality and J. T. Fraser’s concept of time as a hierarchical nest of different temporalities or Umwelts, the results of this comparison lead to the conclusion that the time in which music and film unfold belongs to a separate, artificial Umwelt of its own – art-temporality.
PUBLISHER_LOCATIONBelgrade
ISBN_ISSN1450-9814
EDITION
URL
DOI_LINK
FUNDING_BODY
GRANT_DETAILS