TY  - CONF
  - Kulezic-Wilson, D.
  - Composition in the 21st Century
  - 'Composed' Sound Design: Film's Path to Embracing the Music of the 21st Century
  - Trinity College Dublin
  - Oral Presentation
  - 2014
  - ()
  - 0
  - 05-MAR-14
  - 07-MAR-14
  - In the context of the highly eclectic, digitalized, intermedialized, post-everything contemporary art landscape, notions of noise or language as music are practically taken for granted in most spheres of artistic practice – except in film. My paper argues that the use of musique concrète as sound design and the “musicalization” of sound effects and speech as a method of blurring the boundaries between sound design and originally composed scores mark the biggest steps contemporary cinema has recently made towards overcoming its anachronistic musical practices and absorbing the influences of the 21st century.
DA  - 2014/NaN
ER  - 

@unpublished{V247265785,
   = {Kulezic-Wilson,  D. },
   = {Composition in the 21st Century},
   = {{'Composed' Sound Design: Film's Path to Embracing the Music of the 21st Century}},
   = {Trinity College Dublin},
   = {Oral Presentation},
   = {2014},
   = {()},
   = {0},
  month = {Mar},
   = {07-MAR-14},
   = {{In the context of the highly eclectic, digitalized, intermedialized, post-everything contemporary art landscape, notions of noise or language as music are practically taken for granted in most spheres of artistic practice – except in film. My paper argues that the use of musique concrète as sound design and the “musicalization” of sound effects and speech as a method of blurring the boundaries between sound design and originally composed scores mark the biggest steps contemporary cinema has recently made towards overcoming its anachronistic musical practices and absorbing the influences of the 21st century.}},
  source = {IRIS}
}