TY  - GEN
  - Kulezic-Wilson, D. 
  - 2005 Unknown
  - Film History and National Cinema
  - Musical and Mythical Patterns in Paul Thomas Anderson's Magnolia
  - Four Courts Press
  - Dublin
  - Published
  - 0
  - An exploration of analogies between music and film following on one hand the idea that both arts use patterns to create communicable forms, emphasize certain aspects of their content and establish rhythmic relations, and on the other, Royal S. Brown¿s suggestion that through the use of patterns both arts can evoke ¿a mythic mode of perception¿. Both ideas are tested and interrelated through the analysis of the narrative organisation, musical structure and employment of Jon Brion¿s orchestral score and Aimee Mann¿s songs in Paul Thomas Anderson¿s film Magnolia, revealing the nature of the relationship between the film and its music as both analogous and interactive. 
  - 57
  - 65
DA  - 2005 Unknown/NaN
ER  - 

@misc{V57684821,
   = {Kulezic-Wilson,  D.  },
   = {2005 Unknown},
   = {Film History and National Cinema},
   = {Musical and Mythical Patterns in Paul Thomas Anderson's Magnolia},
   = {{Four Courts Press}},
   = {Dublin},
   = {Published},
   = {0},
   = {{An exploration of analogies between music and film following on one hand the idea that both arts use patterns to create communicable forms, emphasize certain aspects of their content and establish rhythmic relations, and on the other, Royal S. Brown¿s suggestion that through the use of patterns both arts can evoke ¿a mythic mode of perception¿. Both ideas are tested and interrelated through the analysis of the narrative organisation, musical structure and employment of Jon Brion¿s orchestral score and Aimee Mann¿s songs in Paul Thomas Anderson¿s film Magnolia, revealing the nature of the relationship between the film and its music as both analogous and interactive. }},
  pages = {57--65},
  source = {IRIS}
}