A Musical Approach to Filmmaking: Hip Hop and Techno Composing Techniques and Models of Structuring in Darren Aronofsky's Pi

Typeset version

 

TY  - JOUR
  - Kulezic-Wilson, D.
  - 2008
  - Unknown
  - Music and The Moving Image
  - A Musical Approach to Filmmaking: Hip Hop and Techno Composing Techniques and Models of Structuring in Darren Aronofsky's Pi
  - Published
  - ()
  - 1
  - 1
  - Inspired by hip hop and techno music, Darren Aronofsky applied various musical techniques and models of structuring typical of the aforementioned musical styles in the editing, employment of different cameras and shooting techniques, sound design, music and the organisation of micro- and macro-structure in his film Pi, which resulted in an inherently musical audio-visual style.  
  - Chicago, University of Illinois Press
  - http://mmi.press.uiuc.edu/1.1/wilson.html
DA  - 2008/NaN
ER  - 
@article{V57685453,
   = {Kulezic-Wilson,  D. },
   = {2008},
   = {Unknown},
   = {Music and The Moving Image},
   = {A Musical Approach to Filmmaking: Hip Hop and Techno Composing Techniques and Models of Structuring in Darren Aronofsky's Pi},
   = {Published},
   = {()},
   = {1},
   = {1},
   = {{Inspired by hip hop and techno music, Darren Aronofsky applied various musical techniques and models of structuring typical of the aforementioned musical styles in the editing, employment of different cameras and shooting techniques, sound design, music and the organisation of micro- and macro-structure in his film Pi, which resulted in an inherently musical audio-visual style.  }},
   = {Chicago, University of Illinois Press},
   = {http://mmi.press.uiuc.edu/1.1/wilson.html},
  source = {IRIS}
}
AUTHORSKulezic-Wilson, D.
YEAR2008
MONTHUnknown
JOURNAL_CODEMusic and The Moving Image
TITLEA Musical Approach to Filmmaking: Hip Hop and Techno Composing Techniques and Models of Structuring in Darren Aronofsky's Pi
STATUSPublished
TIMES_CITED()
SEARCH_KEYWORD
VOLUME1
ISSUE1
START_PAGE
END_PAGE
ABSTRACTInspired by hip hop and techno music, Darren Aronofsky applied various musical techniques and models of structuring typical of the aforementioned musical styles in the editing, employment of different cameras and shooting techniques, sound design, music and the organisation of micro- and macro-structure in his film Pi, which resulted in an inherently musical audio-visual style.  
PUBLISHER_LOCATIONChicago, University of Illinois Press
ISBN_ISSN
EDITION
URLhttp://mmi.press.uiuc.edu/1.1/wilson.html
DOI_LINK
FUNDING_BODY
GRANT_DETAILS