IRIS publication 62525693
‘Sound as the Weapon of Choice for Film Mavericks’
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TY - CONF - Invited Lectures - Kulezic-Wilson, D. - 2006 - November - ‘Sound as the Weapon of Choice for Film Mavericks’ - Author - Produced - 0 - () - While the mainstream film industry still treats sound as one among many technical devices which are necessary to create film, but best kept 'invisible' behind the constructed reality of a narrative, the true mavericks of film-making have always paid special attention to sound as one of the most expressive elements of film's audio-visual structure. From Sergei Eisenstein to Darren Aronofsky, sound has been employed in film with imagination and musical instincts to convey personal visions, revolutionising film's technical and aesthetic vocabulary along the way.This seminar is designed to offer an introduction to image/sound relationships in film through an overview of the most significant sound practices and examples of some of the most innovative approaches to sound in film. - Digital Media ; Arts Research Centre Lectures, University of Limerick DA - 2006/11 ER -
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@misc{V62525693, = {Invited Lectures}, = {Kulezic-Wilson, D. }, = {2006}, = {November}, = {‘Sound as the Weapon of Choice for Film Mavericks’}, = {Author}, = {Produced}, = {0}, = {()}, = {{While the mainstream film industry still treats sound as one among many technical devices which are necessary to create film, but best kept 'invisible' behind the constructed reality of a narrative, the true mavericks of film-making have always paid special attention to sound as one of the most expressive elements of film's audio-visual structure. From Sergei Eisenstein to Darren Aronofsky, sound has been employed in film with imagination and musical instincts to convey personal visions, revolutionising film's technical and aesthetic vocabulary along the way.This seminar is designed to offer an introduction to image/sound relationships in film through an overview of the most significant sound practices and examples of some of the most innovative approaches to sound in film.}}, = {Digital Media ; Arts Research Centre Lectures, University of Limerick}, source = {IRIS} }
Data as stored in IRIS
OTHER_PUB_TYPE | Invited Lectures | ||
AUTHORS | Kulezic-Wilson, D. | ||
YEAR | 2006 | ||
MONTH | November | ||
TITLE | ‘Sound as the Weapon of Choice for Film Mavericks’ | ||
RESEARCHER_ROLE | Author | ||
STATUS | Produced | ||
PEER_REVIEW | 0 | ||
TIMES_CITED | () | ||
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ABSTRACT | While the mainstream film industry still treats sound as one among many technical devices which are necessary to create film, but best kept 'invisible' behind the constructed reality of a narrative, the true mavericks of film-making have always paid special attention to sound as one of the most expressive elements of film's audio-visual structure. From Sergei Eisenstein to Darren Aronofsky, sound has been employed in film with imagination and musical instincts to convey personal visions, revolutionising film's technical and aesthetic vocabulary along the way.This seminar is designed to offer an introduction to image/sound relationships in film through an overview of the most significant sound practices and examples of some of the most innovative approaches to sound in film. | ||
PUBLISHER_LOCATION | Digital Media ; Arts Research Centre Lectures, University of Limerick | ||
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