南京プロジェクト Vol.5

Beri Juraic; Hagiwara Yuta; Shin Ito; Honami Shimizu

南京プロジェクト Vol.5

Translated title of the contribution: Nanjing Project Vol.5

Beri Juraic (Developer)
, Hagiwara Yuta (Director)
, Shin Ito (Performer)
, Honami Shimizu (Performer)

Lancaster University
Kamome Machine

Research output: Non-textual form › Performance

Abstract

In the summer of 2022, Tokyo-based theatre company Kamome Machine embarked on research for a new project to address the often-ignored historical issue of the Nanjing Massacre. The Nanjing Massacre was a tragic moment in world history involving mass killings of Chinese citizens by Japanese soldiers in 1937, a few years before the Second World War witnessed by British and American journalists. Three years and four different phases later, the Company comes to Lancaster for a two-week residence to explore the embodiment of this issue from an outsider perspective with Lancaster artists, students and researchers.

The residency ended with work-in-progress performance.

CREDIT
Directed by: Yuta HAGIWARA
Performed by: Honami SHIMIZU, Shin ITO
Friendly and Critical Eye: Beri Juraic
Presented by Kamome Machine
in cooperation with the Cultures Research Centre, Lancaster
Institute for Contemporary Arts, (Lancaster University)
Supported by Arts Council England, The Great Britain Sasakawa Foundation, Saison
Foundation

Translated title of the contribution	Nanjing Project Vol.5
Original language	Japanese
Publication status	Published - 5 Aug 2025
Externally published	Yes

UN SDGs

This output contributes to the following UN Sustainable Development Goals (SDGs)

SDG 16 Peace, Justice and Strong Institutions

Cite this

@misc{6f89b51ef1214d6a844b52256030651f,

title = "南京プロジェクト Vol.5",

abstract = "In the summer of 2022, Tokyo-based theatre company Kamome Machine embarked on research for a new project to address the often-ignored historical issue of the Nanjing Massacre. The Nanjing Massacre was a tragic moment in world history involving mass killings of Chinese citizens by Japanese soldiers in 1937, a few years before the Second World War witnessed by British and American journalists. Three years and four different phases later, the Company comes to Lancaster for a two-week residence to explore the embodiment of this issue from an outsider perspective with Lancaster artists, students and researchers. The residency ended with work-in-progress performance. CREDIT Directed by: Yuta HAGIWARA Performed by: Honami SHIMIZU, Shin ITO Friendly and Critical Eye: Beri Juraic Presented by Kamome Machine in cooperation with the Cultures Research Centre, Lancaster Institute for Contemporary Arts, (Lancaster University) Supported by Arts Council England, The Great Britain Sasakawa Foundation, Saison Foundation ",

author = "Beri Juraic and Hagiwara Yuta and Shin Ito and Honami Shimizu",

year = "2025",

month = aug,

day = "5",

language = "Japanese",

}

TY - ADVS

T1 - 南京プロジェクト Vol.5

A2 - Juraic, Beri

A2 - Yuta, Hagiwara

A2 - Ito, Shin

A2 - Shimizu, Honami

PY - 2025/8/5

Y1 - 2025/8/5

N2 - In the summer of 2022, Tokyo-based theatre company Kamome Machine embarked on research for a new project to address the often-ignored historical issue of the Nanjing Massacre. The Nanjing Massacre was a tragic moment in world history involving mass killings of Chinese citizens by Japanese soldiers in 1937, a few years before the Second World War witnessed by British and American journalists. Three years and four different phases later, the Company comes to Lancaster for a two-week residence to explore the embodiment of this issue from an outsider perspective with Lancaster artists, students and researchers. The residency ended with work-in-progress performance. CREDIT Directed by: Yuta HAGIWARA Performed by: Honami SHIMIZU, Shin ITO Friendly and Critical Eye: Beri Juraic Presented by Kamome Machine in cooperation with the Cultures Research Centre, Lancaster Institute for Contemporary Arts, (Lancaster University) Supported by Arts Council England, The Great Britain Sasakawa Foundation, Saison Foundation

AB - In the summer of 2022, Tokyo-based theatre company Kamome Machine embarked on research for a new project to address the often-ignored historical issue of the Nanjing Massacre. The Nanjing Massacre was a tragic moment in world history involving mass killings of Chinese citizens by Japanese soldiers in 1937, a few years before the Second World War witnessed by British and American journalists. Three years and four different phases later, the Company comes to Lancaster for a two-week residence to explore the embodiment of this issue from an outsider perspective with Lancaster artists, students and researchers. The residency ended with work-in-progress performance. CREDIT Directed by: Yuta HAGIWARA Performed by: Honami SHIMIZU, Shin ITO Friendly and Critical Eye: Beri Juraic Presented by Kamome Machine in cooperation with the Cultures Research Centre, Lancaster Institute for Contemporary Arts, (Lancaster University) Supported by Arts Council England, The Great Britain Sasakawa Foundation, Saison Foundation

M3 - Performance

ER -

南京プロジェクト Vol.5

Abstract

UN SDGs

Fingerprint

Cite this