A Twenty-First Century Auto Sacramental?: Thomas Hürlimann’s Das Einsiedler Welttheater (2007) and Calderón’s El gran teatro del mundo

  • Stephen Boyd

Research output: Chapter in Book/Report/Conference proceedingsChapterpeer-review

Abstract

The essay explores the relationship between Calderón de la Barca's auto sacramental, El gran teatro del mundo (c.1636) and a contemporary rewriting of it, Das Einsiedler Welttheater (2007), by the Swiss novelist and dramatist, Thomas Hürlimann (b. 1950). The relationship between in two plays is considered in the contexts of the German Romantic re-discovery of Calderón and of the Einsiedeln theatre festival tradition. Although Hürlimann's play contrasts significantly with its Spanish source, it is argued that, in many respects, he may be seen to be, paradoxically, faithful to Calderón.
Original languageEnglish (Ireland)
Title of host publicationConnecting Past and Present: Exploring the Influence of the Spanish Golden Age in the Twentieth and Twenty-First Centuries
EditorsAaron M. Kahn
Place of PublicationCambridge
PublisherCambridge Scholars Publishing
Pages159-185
ISBN (Print)978-1-4438-7616-2
Publication statusPublished - 2015

Keywords

  • Spain
  • Literature
  • Golden Age

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