Abstract
Artificial media is proposed as a core concept of a variety of emergent
practices. These practices dissolve the boundaries between local and distributed
knowledge through the incorporation of extant data. The implications for design,
development and deployment of ubimus ecosystems are manifold. We address some of these issues by focusing on three aspects: the resurgence of cybernetics in the sonic
arts, the tensions implicit in interacting with retrieved vs. enacted sonic information
and the push toward a conceptual overhaul of creative practice that targets artificial
media.
practices. These practices dissolve the boundaries between local and distributed
knowledge through the incorporation of extant data. The implications for design,
development and deployment of ubimus ecosystems are manifold. We address some of these issues by focusing on three aspects: the resurgence of cybernetics in the sonic
arts, the tensions implicit in interacting with retrieved vs. enacted sonic information
and the push toward a conceptual overhaul of creative practice that targets artificial
media.
| Original language | English (Ireland) |
|---|---|
| Pages | 27 |
| Number of pages | 29 |
| DOIs | |
| Publication status | Published - 2025 |
| Event | Ubiquitous Music Symposium 2024: UbiMus 2024 - University of Saint Joseph, Macao S.A.R., China Duration: 31 Oct 2024 → … https://doi.org/10.5281/zenodo.14887888 |
Symposium
| Symposium | Ubiquitous Music Symposium 2024 |
|---|---|
| Abbreviated title | UbiMus24 |
| Country/Territory | China |
| City | Macao S.A.R. |
| Period | 31/10/24 → … |
| Internet address |
UCC Futures
- Artificial Intelligence and Data Analytics
- Future Humanities Institute
- Future of Networks, Systems & Cybersecurity (NASC)
Keywords
- Artificial Media
- Artificial intelligence (AI)
- Machine Learning
- Music
- Sound Art
- Art
- Cybernetics