Abstract
Artificial media is proposed as a core concept of a variety of emergent practices. These practices dissolve the boundaries between local and distributed knowledge through the incorporation of extant data. The implications for design, development and deployment of ubimus ecosystems are manifold. We address some of these issues by focusing on three aspects: the resurgence of cybernetics in the sonic arts, the tensions implicit in interacting with retrieved vs. enacted sonic information and the push toward a conceptual overhaul of creative practice that targets artificial media.
| Original language | English (Ireland) |
|---|---|
| Pages | 27-29 |
| Number of pages | 3 |
| DOIs | |
| Publication status | Published - 2025 |
| Event | Ubiquitous Music Symposium 2024: UbiMus 2024 - University of Saint Joseph, Macao S.A.R., China Duration: 31 Oct 2024 → … https://doi.org/10.5281/zenodo.14887888 |
Symposium
| Symposium | Ubiquitous Music Symposium 2024 |
|---|---|
| Abbreviated title | UbiMus24 |
| Country/Territory | China |
| City | Macao S.A.R. |
| Period | 31/10/24 → … |
| Internet address |
UCC Futures
- Artificial Intelligence and Data Analytics
- Future Humanities Institute
- Future of Networks, Systems & Cybersecurity
Keywords
- Artificial media
- Artificial intelligence (AI)
- Machine learning
- Music
- Sound art
- Art
- Cybernetics
- [EnglishDigitalHumanities]
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