Composing the Good Ship Hibernia and the hole in the bottom of the world

S. Roddy

doi:10.1145/3123514.3123520

Composing the Good Ship Hibernia and the hole in the bottom of the world

S. Roddy

School of English and Digital Humanities

Research output: Chapter in Book/Report/Conference proceedings › Conference proceeding › peer-review

Abstract

This paper explores topics in embodied cognition, soundscape composition and sonification. It explains the compositional decisions and technical considerations that went into the composition of the piece The Good Ship Hibernia, which is an example of embodied soundscape sonification. This explanation is undertaken within the context of an approach to both sonification design and music composition that accounts for and exploits the embodied aspects of meaning-making in auditory cognition as described in the embodied cognitive science literature.

Original language	Undefined/Unknown
Title of host publication	AM '17: Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences
DOIs	https://doi.org/10.1145/3123514.3123520
Publication status	Published - 2017
Event	12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences - London, United Kingdom Duration: 23 Aug 2017 → 26 Aug 2017

Conference

Conference	12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences
Country/Territory	United Kingdom
City	London
Period	23/08/17 → 26/08/17

UCC Futures

Future Humanities Institute
Artificial Intelligence and Data Analytics

Keywords

Sonification
Music
Music cognition
Data Analytics
Media Engineering

Access to Document

10.1145/3123514.3123520

Cite this

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title = "Composing the Good Ship Hibernia and the hole in the bottom of the world",

abstract = "This paper explores topics in embodied cognition, soundscape composition and sonification. It explains the compositional decisions and technical considerations that went into the composition of the piece The Good Ship Hibernia, which is an example of embodied soundscape sonification. This explanation is undertaken within the context of an approach to both sonification design and music composition that accounts for and exploits the embodied aspects of meaning-making in auditory cognition as described in the embodied cognitive science literature.",

keywords = "Sonification, Music, Music cognition, Data Analytics, Media Engineering",

author = "S. Roddy",

year = "2017",

doi = "10.1145/3123514.3123520",

language = "Undefined/Unknown",

booktitle = "AM '17: Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences",

note = "12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences ; Conference date: 23-08-2017 Through 26-08-2017",

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Roddy, S 2017, Composing the Good Ship Hibernia and the hole in the bottom of the world. in AM '17: Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences. 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences, London, United Kingdom, 23/08/17. https://doi.org/10.1145/3123514.3123520

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AB - This paper explores topics in embodied cognition, soundscape composition and sonification. It explains the compositional decisions and technical considerations that went into the composition of the piece The Good Ship Hibernia, which is an example of embodied soundscape sonification. This explanation is undertaken within the context of an approach to both sonification design and music composition that accounts for and exploits the embodied aspects of meaning-making in auditory cognition as described in the embodied cognitive science literature.

KW - Sonification

KW - Music

KW - Music cognition

KW - Data Analytics

KW - Media Engineering

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BT - AM '17: Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences

T2 - 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences

Y2 - 23 August 2017 through 26 August 2017

ER -

Composing the Good Ship Hibernia and the hole in the bottom of the world

Abstract

Conference

UCC Futures

Keywords

Access to Document

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Cite this