Abstract
Based on detailed examination of the composition and iconography of Velázquez's paintings, La fragua de Vulcano and La tunica de José, this essay argues that there are strong grounds for considering them as pendants.
| Original language | English (Ireland) |
|---|---|
| Title of host publication | Humanism and Christian Letters in Early Modern Iberia (1480-1630) |
| Place of Publication | Cambridge |
| Publisher | Cambridge Scholars Publishing |
| Pages | 203-216 |
| ISBN (Print) | 978-1443822275 |
| Publication status | Published - 2010 |
Fingerprint
Dive into the research topics of 'Engaged but not Married?: Diego Velázquez's La túnica de José and La fragua de Vulcano'. Together they form a unique fingerprint.Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver