Flowers of Dim-Sightedness: Dōgen’s Mystical ‘Negative Ocularcentrism’

So numerous are the aspects of Dōgen’s writings that reflect the structures of vision that we might consider his philosophy “ocularcentric”. While recent scholarship scrutinizes both Greek and Mahāyāna forms of ocularcentrism, I argue that the hazards reside not in the prioritization of sight to the neglect of other senses, but in the latent positivism visual metaphor tends to, but need not, reinforce. I cast Dōgen as a “negative ocularcentrist” for his construing vision according to the Mahāyāna notion of emptiness (śūnyatā). Rather than positivist ontology, epistemology or soteriology structured metaphorically as progressing from darkness into light, Dōgen inflects seeing with the visually negative, incorporating darkness, blindness, delusion, invisibility, and what he calls “dim sightedness” (gen’ei 眼翳), which are “obstructions” (keige 罣礙), but not the sort that can or must be overcome; For Dōgen, darkness is essential for illumination, delusion part of enlightenment, obstruction not an impediment for realization, but one of its conditions. I claim that implicit to Dōgen’s notion of “obstruction obstructing obstruction” (礙は礙を罜礙する なり、これ時なり) is a form of reflexivity, which if extended from language to vision distances his thought from both the positivism of ocularcentrism and challenges the ascription of realism to his mysticism.