Abstract
Contemporary commentators, primarily on the broad right, tend to critique their opponents as being ‘just like a religion’, invoking figures of zealots, dogma, mantras, high priests and so forth. While openness to debate is often a key value of these commentators, this discursive manoeuvre tends to position the other as an unthinking ideologue or a duplicitous manipulator, not worth engagement. This critique has become commonplace from books to social media, disfiguring opponents as ‘post-modernists’, ‘critical social justice’ or ‘woke’ in a negative valance. These ‘iconoclastic critics’ position themselves as reasonable, dedicated to debate, and describe opponents via a dichotomy of ideology and critique, employing metaphors of depth. Crucially, they tend to distort or disfigure their opponents’ claims, redescribing them through religious metaphors. This analysis informs a reflexive consideration of critical discourse generally and considers the extent to which characteristics of this ‘iconoclastic critique’ are shared across political divides.
| Original language | English |
|---|---|
| Journal | European Journal of Social Theory |
| DOIs | |
| Publication status | Accepted/In press - 2025 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 10 Reduced Inequalities
Keywords
- Critique
- discourse
- iconoclasm
- religion
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