Skip to main navigation Skip to search Skip to main content

Master of the Dominican Effigies

Research output: Chapter in Book/Report/Conference proceedingsEntry for encyclopedia/dictionarypeer-review

Abstract

This text offers a critical assessment of the anonymous artist known as the Master of the Dominican Effigies, positioning this active mid-14th-century painter and illuminator as a central figure in post-Giottesque Florentine art. Analysis focuses on his narrative precision, expressive miniaturist execution, and fluid integration of panel painting, fresco, and manuscript illumination. Examination of his core surviving works—most notably his eponymous panel Christ and the Virgin Enthroned with Dominican Saints at Santa Maria Novella, the historically vital Biadaiolo manuscript illuminations, and his collaboration with Pacino di Bonaguida on the Laudario di Sant'Agnese—illuminates his role in codifying regional monastic iconographies and advancing vernacular narrative structures during the Italian Trecento.
Original languageEnglish
Title of host publicationMedieval Italy: An Encyclopedia
EditorsChristopher Kleinhenz
Place of PublicationNew York
PublisherRoutledge
Pages693-693
Number of pages1
Volume2
ISBN (Electronic)9781315161112
ISBN (Print)9780415939294
DOIs
Publication statusPublished - 2004

Publication series

NameRoutledge Encyclopedias of the Middle Ages
Number9

Keywords

  • Master of the Dominican Effigies
  • Florentine Trecento Painting
  • Manuscript Illumination
  • Fourteenth-Century Italian Art
  • Anonymous Masters
  • Santa Maria Novella
  • Florence
  • Dominican Order
  • Biadaiolo Manuscript
  • Italy
  • Post-Giottesque Style
  • Monastic Art
  • Tuscany
  • Museo di Santa Maria Novella
  • Il Biadaiolo (Cod. Tempiano 3)
  • Laudario di Sant'Agnese
  • Pacino di Bonaguida
  • Biblioteca Medicea Laurenziana

Fingerprint

Dive into the research topics of 'Master of the Dominican Effigies'. Together they form a unique fingerprint.

Cite this