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Abstract
This paper focuses on the work of two photographers—Helen Levitt and Jansje Wissema— who extensively documented children playing in streets and produced images of the drawings made by children on city streets and walls. These images are read in relation to the work of the Burning Museum Collective, a group of artists based in Cape Town, South Africa, who draw on archival images and make use of photography as a form of resistance. The paper argues for the way in which an engagement with photographs of urban spaces can provide a means for thinking about transnational histories, neoliberalism, gentrification, forced removals, and the politics of restitution.
| Original language | English |
|---|---|
| Pages (from-to) | 122-136 |
| Number of pages | 15 |
| Journal | Critical Arts |
| Volume | 32 |
| Issue number | 1 |
| DOIs | |
| Publication status | Published - 2 Jan 2018 |
| Externally published | Yes |
Keywords
- apartheid
- children
- District Six
- forced removals
- Helen Levitt
- Jansje Wissema
- New York
- photography
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Dive into the research topics of 'Re-turning History: Helen Levitt, Jansje Wissema, the Burning Museum Collective, and Photographs of Children in the Streets of New York and Cape Town'. Together they form a unique fingerprint.Activities
- 1 Oral presentation
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Re-turning History: Photography against forgetting in post-apartheid South Africa
Thomas, K. (Speaker)
27 Mar 2017Activity: Talk or presentation › Oral presentation