Abstract
Installed an iteration of The Body in the Machine for xCoAx in collaboration with AMAE/Depinto & Jean-Luc Nancy.
This piece is an online sound installation that uses machine-learning techniques to reflect on the interplay of the artist and the artifact in the context of technologically mediated arts collaborations. This project grew in dialogue with another ongoing project titled 58+1 Indices on the body. That project is a collaboration between the artistic collective AMAE and the artist Pier Giorgio De Pinto and philosopher Jean-luc Nancy to which the creator of this installation ahs also contributed. The piece asks what happens to the body when we begin to rely heavily on disembodied technology to mediate our communication and art-making and critically it explores how meaning changes as the artifact transforms across media.
This piece is an online sound installation that uses machine-learning techniques to reflect on the interplay of the artist and the artifact in the context of technologically mediated arts collaborations. This project grew in dialogue with another ongoing project titled 58+1 Indices on the body. That project is a collaboration between the artistic collective AMAE and the artist Pier Giorgio De Pinto and philosopher Jean-luc Nancy to which the creator of this installation ahs also contributed. The piece asks what happens to the body when we begin to rely heavily on disembodied technology to mediate our communication and art-making and critically it explores how meaning changes as the artifact transforms across media.
| Original language | English (Ireland) |
|---|---|
| Publication status | Published - Jan 2021 |
UCC Futures
- Future Humanities Institute
- Artificial Intelligence and Data Analytics
Keywords
- Music
- Sound Art
- Interactive Systems
- Sentiment Analysis
- Machine Learning
- Visual Art
- Media Engineering
- Jean-Luc Nancy
- Digital Art
- Interactive Art
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