‘Earthly, sensual, devilish’: Sex, ‘race’ and jazz in post-independence Ireland

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TY  - JOUR
  - Hogan, Eileen
  - 2010
  - October
  - Jazz Research Journal
  - ‘Earthly, sensual, devilish’: Sex, ‘race’ and jazz in post-independence Ireland
  - Published
  - ()
  - 4
  - 1
  - 57
  - 79
  - This article examines racialized and sexualized constructions of jazz in Ireland in the post-independence era. Drawing on newspaper coverage and Government debate from 1920 to 1938, I argue that the broadcasting service and the dance halls represented key sites of formation of Irish national identity, which was based upon gendered productions of space and place. The nation-building project was premised upon the idealization of a rural, sanitized moral landscape. In this period, fears of foreign cultural corruption and the liberalization of sexual mores were articulated through intensive campaigning, led by the Catholic elite and largely supported by the state, against jazz music which was seen as a cultural import that threatened Irish cultural identity and the nation.
  - 1753-8637; 1753-8645
  - http://www.equinoxpub.com/index.php/JAZZ/article/view/10486
DA  - 2010/10
ER  - 
@article{V119941469,
   = {Hogan,  Eileen },
   = {2010},
   = {October},
   = {Jazz Research Journal},
   = {‘Earthly, sensual, devilish’: Sex, ‘race’ and jazz in post-independence Ireland},
   = {Published},
   = {()},
   = {4},
   = {1},
  pages = {57--79},
   = {{This article examines racialized and sexualized constructions of jazz in Ireland in the post-independence era. Drawing on newspaper coverage and Government debate from 1920 to 1938, I argue that the broadcasting service and the dance halls represented key sites of formation of Irish national identity, which was based upon gendered productions of space and place. The nation-building project was premised upon the idealization of a rural, sanitized moral landscape. In this period, fears of foreign cultural corruption and the liberalization of sexual mores were articulated through intensive campaigning, led by the Catholic elite and largely supported by the state, against jazz music which was seen as a cultural import that threatened Irish cultural identity and the nation.}},
  issn = {1753-8637 and  1753-8645},
   = {http://www.equinoxpub.com/index.php/JAZZ/article/view/10486},
  source = {IRIS}
}
AUTHORSHogan, Eileen
YEAR2010
MONTHOctober
JOURNAL_CODEJazz Research Journal
TITLE‘Earthly, sensual, devilish’: Sex, ‘race’ and jazz in post-independence Ireland
STATUSPublished
TIMES_CITED()
SEARCH_KEYWORD
VOLUME4
ISSUE1
START_PAGE57
END_PAGE79
ABSTRACTThis article examines racialized and sexualized constructions of jazz in Ireland in the post-independence era. Drawing on newspaper coverage and Government debate from 1920 to 1938, I argue that the broadcasting service and the dance halls represented key sites of formation of Irish national identity, which was based upon gendered productions of space and place. The nation-building project was premised upon the idealization of a rural, sanitized moral landscape. In this period, fears of foreign cultural corruption and the liberalization of sexual mores were articulated through intensive campaigning, led by the Catholic elite and largely supported by the state, against jazz music which was seen as a cultural import that threatened Irish cultural identity and the nation.
PUBLISHER_LOCATION
ISBN_ISSN1753-8637; 1753-8645
EDITION
URLhttp://www.equinoxpub.com/index.php/JAZZ/article/view/10486
DOI_LINK
FUNDING_BODY
GRANT_DETAILS